The performance of 16th-century music : learning from the theorists /
Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but anachronistic ideas. Fundamental differences between 16th-century repertoire and that of later epochs thus tend to be overlooked-yet it is just...
Cote: | Libro Electrónico |
---|---|
Auteur principal: | Smith, Anne, 1951- |
Format: | Électronique eBook |
Langue: | Inglés |
Publié: |
New York :
Oxford University Press,
©2011.
|
Sujets: | |
Accès en ligne: | Texto completo |
Documents similaires
-
The Performance of 16th-Century Music : Learning from the Theorists.
par: Smith, Anne, 1951-
Publié: (2011) -
A Performer's Guide to Renaissance Music /
Publié: (2007) -
The Notation Is Not the Music : Reflections on Early Music Practice and Performance /
par: Kuijken, Barthold
Publié: (2013) -
The Notation Is Not the Music : Reflections on Early Music Practice and Performance /
par: Kuijken, Barthold
Publié: (2013) -
A performer's guide to seventeenth-century music /
Publié: (2012)