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The performance of 16th-century music : learning from the theorists /

Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but anachronistic ideas. Fundamental differences between 16th-century repertoire and that of later epochs thus tend to be overlooked-yet it is just...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Smith, Anne, 1951-
Format: Électronique eBook
Langue:Inglés
Publié: New York : Oxford University Press, ©2011.
Sujets:
Accès en ligne:Texto completo

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