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Opera in the novel from Balzac to Proust /

"The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Newark, Cormac, 1972-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, UK ; New York, N.Y. : Cambridge University Press, ©2011.
Colección:Cambridge studies in opera.
Temas:
Acceso en línea:Texto completo
Descripción
Sumario:"The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Come;die humaine to Proust's À la recherche du temps perdu, by way of (among others) Dumas père's Le Comte de Monte-Cristo and Leroux's Le Fantôme de l'Ope;ra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience"--
Descripción Física:1 online resource (ix, 287 pages)
Bibliografía:Includes bibliographical references (pages 256-282) and index.
ISBN:9780511992957
0511992955
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0511989156
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9781107213036
0511994141
9780511994142
0511987374
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1283020769
9781283020763
9786613020765
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0511991940
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Acceso:Single-user access.