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Of what one cannot speak : Doris Salcedo's political art /
Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. Noted critic and theorist Mieke Bal narrates between the disciplines of contemporary culture in order to boldly reimagine the role of the visual arts....
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
2010.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Bal, Mieke, |d 1946- | |
| 245 | 1 | 0 | |a Of what one cannot speak : |b Doris Salcedo's political art / |c Mieke Bal. |
| 260 | |a Chicago : |b University of Chicago Press, |c 2010. | ||
| 300 | |a 1 online resource (280 pages) : |b illustrations (chiefly color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and indexes. | ||
| 505 | 0 | |a Metaphoring: singularity in negative space -- Metaphor and negative space -- Metaphoring negativity -- The insistence of metaphor -- The act of metaphoring -- Metaphor as skin -- Atrabiliarios as political object -- The politics of anthropomorphism -- The anthropomorphic imagination -- Locating violence -- House without spouse -- Theaters of gender -- On the move -- Timing -- Negations of place -- No more bones -- Foreshortening -- Foreshortening time -- The agency of space: installation -- Listening to time in space -- Abduction into pain -- History and the event in the present -- New space -- Acts of memory -- An act in search of an agent -- Perception and memory for witnessing -- Acting memory -- Meanwhile: herenow -- Active space -- Shibboleth of past and present -- Political art takes place. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. Noted critic and theorist Mieke Bal narrates between the disciplines of contemporary culture in order to boldly reimagine the role of the visual arts. Both women are pathbreaking figures, globally renowned and widely respected. Doris Salcedo, meet Mieke Bal. In Of What One Cannot Speak, Bal leads us into intimate encounters with Salcedo's art, encouraging us to consider each work as a "theoretical object" that invites--and demands--certain kinds o | ||
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| 600 | 1 | 0 | |a Salcedo, Doris, |d 1958- |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Salcedo, Doris, |d 1958- |
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| 650 | 0 | |a Sculpture |z Colombia |y 20th century. | |
| 650 | 0 | |a Sculpture |y 20th century |x Political aspects |z Colombia. | |
| 650 | 0 | |a Art |x Political aspects. | |
| 650 | 6 | |a Sculpture |y 20e siècle |x Aspect politique |z Colombie. | |
| 650 | 6 | |a Art |x Aspect politique. | |
| 650 | 7 | |a political art. |2 aat | |
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| 650 | 7 | |a ART |x Individual Artists |x Essays. |2 bisacsh | |
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| 650 | 7 | |a Sculpture |2 fast | |
| 650 | 7 | |a Sculpture |x Political aspects |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Bal, Mieke, 1946- |t Of what one cannot speak. |d Chicago : University of Chicago Press, 2010 |z 9780226035789 |w (DLC) 2010011141 |w (OCoLC)574955819 |
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