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From face to face : recarving of Roman portraits and the late-antique portrait arts /
This book is based on an investigation of more than five hundred recarved portraits. It includes analyses of different recarving methods, some of which can be attributed to geographically localised workshops. The different recarving methods have made it possible to suggest classifiable categories, w...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leiden [Netherlands] ; Boston :
Brill,
2010.
|
| Colección: | Monumenta Graeca et Romana ;
v. 18. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Prusac, Marina. | |
| 245 | 1 | 0 | |a From face to face : |b recarving of Roman portraits and the late-antique portrait arts / |c by Marina Prusac. |
| 246 | 3 | 0 | |a Recarving of Roman portraits and the late-antique portrait arts |
| 260 | |a Leiden [Netherlands] ; |a Boston : |b Brill, |c 2010. | ||
| 300 | |a 1 online resource (xxii, 202 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Monumenta Graeca et Romana, 0169-8850 ; |v v. 18 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Preface; Editorial note; Acknowledgments; List of diagrams and sketches; List of figures and photo credits; Introduction The history of sculpture reuse and related problems; The Stand der Forschung of sculpture reuse; The identification of recarved sculpture; Organisation of the material; Terminology; Definitions of "style"; The function of recarved portraits; Chapter One The reuse of sculpture and recarving of portraits; Criteria for identification; Spolia and the recarving of portraiture; The reuse of private sculpture; Relocated and discarded sculpture; Portrait heads in secondary contexts. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a This book is based on an investigation of more than five hundred recarved portraits. It includes analyses of different recarving methods, some of which can be attributed to geographically localised workshops. The different recarving methods have made it possible to suggest classifiable categories, which together underpin a hypothesis that the late-antique portrait style is a consequence of the many recarved portraits at the time. The practice of portrait recarving emerged due to economic, political, religious and ideological factors, and was influenced by the cultural-historical changes of Lat. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Portrait sculpture, Roman. | |
| 650 | 0 | |a Altered sculptures. | |
| 650 | 6 | |a Sculpture de portraits romaine. | |
| 650 | 6 | |a Sculptures transformées. | |
| 650 | 7 | |a ART |x Sculpture. |2 bisacsh | |
| 650 | 7 | |a Altered sculptures. |2 fast |0 (OCoLC)fst01764046 | |
| 650 | 7 | |a Portrait sculpture, Roman. |2 fast |0 (OCoLC)fst01072315 | |
| 776 | 0 | 8 | |i Print version: |a Prusac, Marina. |t From face to face. |d Leiden [Netherlands] ; Boston : Brill, 2010 |z 9789004182714 |w (DLC) 2010045618 |w (OCoLC)683591558 |
| 830 | 0 | |a Monumenta Graeca et Romana ; |v v. 18. | |
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