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|a Contemporary music :
|b theoretical and philosophical perspectives /
|c edited by Max Paddison and Irène Deliège.
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260 |
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|a Burlington, VT :
|b Ashgate,
|c ©2009.
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300 |
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|a 1 online resource (xx, 386 pages) :
|b illustrations, music
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|g pt. 1. Theoretical perspectives and retrospectives.
|t The principles of music and the rationalization of theory /
|r Hugues Dufourt.
|t Atonal harmony : from set to scale /
|r Célestin Deliège.
|t In search of lost harmony /
|r Rudolf Frisius.
|t Against a theory of musical (new) complexity /
|r Richard Toop.
|t Heterogeneity, or, On the choice of being omnivorous /
|r Pascal Decroupet.
|t Varèse, serialism and the acoustic metaphor /
|r Pascal Decroupet.
|t "I open and close"? /
|r Richard Toop.
|t A period of confrontation : the post-Webern years /
|r Célestin Deliège --
|g pt. 2. Philosophical critiques and speculations after Adorno.
|t A philosophy of totality /
|r Herman Sabbe.
|t Possibilities for a work-immanent contemporary musical logic /
|r François Nicolas.
|t Postmodernism and the survival of the avant-garde /
|r Max Paddison.
|t Material constraints : Adorno, Benjamin, Arendt /
|r Anne Boissière.
|t Towards an aesthetics of risk /
|r Marc Jimenez.
|t Music and social relations : towards a theory of modulation /
|r Max Paddison --
|g pt. 3. Creative orientations.
|t Music, ambiguity, Buddhism : a composer's perspective /
|r Jonathan Harvey.
|t Artistic orientations, aesthetic concepts, and the limits of explanation : an interview with Pierre Boulez /
|r David Walters.
|t Failed time, successful time, shadowtime : an interview with Brian Ferneyhough /
|r Lois Fitch and John Halls.
|t Sound structures, transformations, and broken magic : an interview with Helmut Lachenmann /
|r Abigail Heathcote.
|t Hunting and forms : an interview with Wolfgang Rihm /
|r Richard McGregor.
|t Postlude : Helmut Lachenmann, Wolfgang Rihm and the Austro-German tradition /
|r Alastair Williams.
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|a Print version record.
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520 |
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|a This collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. The book offers a wide range of international perspectives from prominent musicologists, philosophers and composers and includes new interviews with Pierre Boulez, Brian Ferneyhough, Helmut Lachenmann, and Wolfgang Rihm. Contributions with a theoretical emphasis consider the historical rationalization of music and technology, new approaches to the theorization of atonal harmony in the wake.
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546 |
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|a English.
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
|
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|a Music
|y 20th century
|x History and criticism.
|
650 |
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|a Music
|y 20th century
|x Philosophy and aesthetics.
|
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|a Music
|y 21st century
|x History and criticism.
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650 |
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|a Music
|y 21st century
|x Philosophy and aesthetics.
|
650 |
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|a Musique
|y 20e siècle
|x Philosophie et esthétique.
|
650 |
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|a Musique
|y 21e siècle
|x Histoire et critique.
|
650 |
|
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|a Musique
|y 21e siècle
|x Philosophie et esthétique.
|
650 |
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|a MUSIC
|x History & Criticism.
|2 bisacsh
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|a Music
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|a 1900-2099
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|a Electronic books.
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|a Criticism, interpretation, etc.
|2 fast
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700 |
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|a Paddison, Max.
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700 |
1 |
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|a Deliège, Irène.
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776 |
0 |
8 |
|i Print version:
|t Contemporary music.
|d Farnham, Surrey, England ; Burlington, VT : Ashgate, ©2010
|z 9780754604976
|w (DLC) 2009050043
|w (OCoLC)144529708
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856 |
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