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Haydn studies /

The advances in Haydn scholarship would have been unthinkable to earlier generations, who honoured the composer more in word than in deed. Haydn Studies deals with many aspects of a composer who is perennially fresh, concentrating principally on matters of reception, style and aesthetics and present...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Sutcliffe, W. Dean (Editor , Contribuidor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, UK ; New York : Cambridge University Press, 2006, ©1998.
Temas:
Acceso en línea:Texto completo

MARC

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260 |a Cambridge, UK ;  |a New York :  |b Cambridge University Press,  |c 2006, ©1998. 
300 |a 1 online resource (xiii, 343 pages) :  |b music 
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504 |a Includes bibliographical references and index. 
505 0 |a The consequences of presumed innocence : the nineteenth-century reception of Joseph Haydn / Leon Botstein -- Haydn's sacred vocal music and the aesthetics of salvation / James Webster -- Sentiment and sensibility in La vera costanza / Jessica Waldoff -- Haydn as romantic : a chemical experiment with instrumental music / Daniel K.L. Chua -- Haydn's "Cours complet de la composition" and the Sturm und Drang / Mark Evan Bonds -- Haydn's reversals : style change, gesture and the implication-realization model / Michael Spitzer -- Haydn's symphonies between Sturm und Drang and "Classical style" : art and entertainment / James Webster -- The Haydn piano trio : textual facts and textural principles / W. Dean Sutcliffe -- Papa Doc's recap caper : Haydn and temporal dyslexia / George Edwards -- Haydn : the musicians' musician / Robin Holloway. 
520 |a The advances in Haydn scholarship would have been unthinkable to earlier generations, who honoured the composer more in word than in deed. Haydn Studies deals with many aspects of a composer who is perennially fresh, concentrating principally on matters of reception, style and aesthetics and presenting many interesting readings of the composer's work. Haydn has never played a major role in accounts of cultural history and has never achieved the emblematic status accorded to composers such as Beethoven, Debussy and Stravinsky, in spite of his radical creative agenda: this volume broadens the ba. 
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