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|a UAMI
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|a Haydn studies /
|c edited by W. Dean Sutcliffe.
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|a Cambridge, UK ;
|a New York :
|b Cambridge University Press,
|c 2006, ©1998.
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|a 1 online resource (xiii, 343 pages) :
|b music
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|a Includes bibliographical references and index.
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|a The consequences of presumed innocence : the nineteenth-century reception of Joseph Haydn / Leon Botstein -- Haydn's sacred vocal music and the aesthetics of salvation / James Webster -- Sentiment and sensibility in La vera costanza / Jessica Waldoff -- Haydn as romantic : a chemical experiment with instrumental music / Daniel K.L. Chua -- Haydn's "Cours complet de la composition" and the Sturm und Drang / Mark Evan Bonds -- Haydn's reversals : style change, gesture and the implication-realization model / Michael Spitzer -- Haydn's symphonies between Sturm und Drang and "Classical style" : art and entertainment / James Webster -- The Haydn piano trio : textual facts and textural principles / W. Dean Sutcliffe -- Papa Doc's recap caper : Haydn and temporal dyslexia / George Edwards -- Haydn : the musicians' musician / Robin Holloway.
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|a The advances in Haydn scholarship would have been unthinkable to earlier generations, who honoured the composer more in word than in deed. Haydn Studies deals with many aspects of a composer who is perennially fresh, concentrating principally on matters of reception, style and aesthetics and presenting many interesting readings of the composer's work. Haydn has never played a major role in accounts of cultural history and has never achieved the emblematic status accorded to composers such as Beethoven, Debussy and Stravinsky, in spite of his radical creative agenda: this volume broadens the ba.
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|a Haydn, Joseph,
|d 1732-1809
|x Criticism and interpretation.
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|a Haydn, Joseph,
|d 1732-1809.
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|a Criticism, interpretation, etc.
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|a Sutcliffe, W. Dean.
|4 edt
|4 ctb
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776 |
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|i Print version:
|t Haydn studies.
|d Cambridge, UK ; New York : Cambridge University Press, 2006, ©1998
|z 9780521028356
|w (OCoLC)70881835
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