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Jazz religion, the second line, and Black New Orleans /
In his new book, Richard Brent Turner explores the history and contemporary significance of the popular religious traditions, identities, and performance forms celebrated in the second lines of the jazz street parades of black New Orleans. The second line is the group of dancers who follow the first...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington :
Indiana University Press,
©2009.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Turner, Richard Brent. | |
| 245 | 1 | 0 | |a Jazz religion, the second line, and Black New Orleans / |c Richard Brent Turner. |
| 260 | |a Bloomington : |b Indiana University Press, |c ©2009. | ||
| 300 | |a 1 online resource (xi, 182 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references (pages 161-174) and index. | ||
| 505 | 0 | |a Introduction : Follow the second line -- The Haiti-New Orleans vodou connection : Zora Neale Hurston as initiate observer -- Mardi Gras Indians and second lines, sequin artists and rara bands : street festivals and performances in New Orleans and Haiti -- Interlude: The healing arts of African diasporic religion -- In rhythm with the spirit : New Orleans jazz funerals and the African diaspora -- Epilogue : A jazz funeral for "a city that care forgot" : the New Orleans diaspora after Hurricane Katrina. | |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 520 | |a In his new book, Richard Brent Turner explores the history and contemporary significance of the popular religious traditions, identities, and performance forms celebrated in the second lines of the jazz street parades of black New Orleans. The second line is the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals. Here musical and religious traditions interplay. Jazz Religion, the Second Line, and Black New Orleans examines the relationship of jazz. | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Jazz |z Louisiana |z New Orleans |x Religious aspects. | |
| 650 | 0 | |a Jazz |x Religious aspects |x Vodou. | |
| 650 | 0 | |a African Americans |z Louisiana |z New Orleans |x Music |x History and criticism. | |
| 650 | 6 | |a Jazz |z Louisiane |z La Nouvelle-Orléans |x Aspect religieux. | |
| 650 | 7 | |a SOCIAL SCIENCE |x Ethnic Studies |x African American Studies. |2 bisacsh | |
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| 650 | 7 | |a African Americans |x Music |2 fast | |
| 650 | 7 | |a Jazz |x Religious aspects |2 fast | |
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| 650 | 7 | |a Jazz |2 gnd | |
| 650 | 7 | |a Religion |2 gnd | |
| 651 | 7 | |a New Orleans, La. |2 gnd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Turner, Richard Brent. |t Jazz religion, the second line, and Black New Orleans. |d Bloomington : Indiana University Press, ©2009 |z 9780253353573 |w (DLC) 2009014084 |w (OCoLC)313659127 |
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