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|a God's acting, man's acting :
|b tradition and philosophy in Philo of Alexandria /
|c by Francesca Calabi.
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|a Leiden ;
|a Boston :
|b Brill,
|c 2008.
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|a 1 online resource (xiv, 265 pages)
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|a Studies in Philo of Alexandria ;
|v v. 4
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|a Includes bibliographical references (pages 233-246) and indexes.
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|a Abbreviations; Introduction; PART ONE THE NATURE OF GOD; Chapter One Plato and the Bible. Ontology and Theology in Philo; Chapter Two Simplicity and Absence of Qualities in God; Chapter Three Unknowability of God; Appendix One The dazzling Light: a Metaphor on the Unknowability of God; PART TWO THE MEDIATION ACTIVITY; Chapter Four The Powers of God. Seraphim, Cherubim and Powers in Philo of Alexandria; Chapter Five Roles and Figures of Mediation; Chapter Six The Snake and the Horseman -- Pleasure and Sophrosyne in Philo of Alexandria; PART THREE GOD AS A MODEL.
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|a The topic tackled in this book is Philo's account of the complex, double-sided nature of God's acting - the two-sided coin of God as transcendent yet immanent, unknowable yet revealed, immobile yet creating - and also the two sides of acting in humans - who, in an attempt to imitate God, both contemplate and produce. In both contexts, divine and human, Philo considers that it would not be proper to give precedence to either side - the result would be barren. God's acting and man's acting are at the same time both speculative and practical, and it is precisely out of this co-presence that the o.
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|a Philosophie
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|a Gottesvorstellung.
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|i Print version:
|a Calabi, Francesca, 1948-
|t God's acting, man's acting.
|d Leiden ; Boston : Brill, 2008
|w (DLC) 2007043549
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|a Studies in Philo of Alexandria ;
|v v. 4.
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