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|b .M976 1995
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|a MUS
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|a UAMI
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| 245 |
0 |
0 |
|a Musical signification :
|b essays in the semiotic theory and analysis of music /
|c edited by Eero Tarasti.
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| 260 |
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|a Berlin ;
|a New York :
|b Mouton de Gruyter,
|c 1995.
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| 300 |
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|a 1 online resource (xiv, 598 pages) :
|b music
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| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
1 |
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|a Approaches to semiotics ;
|v 121
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| 504 |
|
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|a Includes bibliographical references and index.
|
| 506 |
|
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
|
| 533 |
|
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
|
| 538 |
|
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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| 583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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| 588 |
0 |
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|a Print version record.
|
| 505 |
0 |
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|a Preface -- Theoretical approaches -- Method and system -- Toward a reinterpretation of compositional theory -- Music and antimetaphor -- The sign and music: A reflection on the theoretical bases of musical semiotics -- How philosophical characterizations of a musical work lose sight of the “music� and how it might be put back -- Interpretation and meaning in music -- Music and semantics -- The application of Hjelmslev�s glossematics to music -- The musical work as sign: Significative constituents, layers, structure
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| 505 |
8 |
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|a Asaf�ev and Tynianov: On some analogies between musicology and the study of literatureIntonation as a specific form of musical semiosis -- Musical intonation � language of intuition and logic: A contribution to the system of the semiotics of intonation in music -- Empirical studies -- “The voice of the heart�: A progressive semiosis on the interval of the sixth -- Pertinence in music -- Meaning and behavior patterns: The creation of meaning in interpreting and listening to music -- On the genesis of the musical sign
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| 505 |
8 |
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|a Art evolution in the light of brain asymmetry: A trial of empirical investigationA semio-psychological theory of communication in music -- Character and characterization in musical performance: Effects of sensory experience upon meaning -- Tempo deviations and musical signification: A case study -- The pitch of glide-like F0 curves in Votic folksongs -- The concept of hierarchy: A theoretical approach -- Musical pragmatics and computer modelling -- Some relationships between terminology, analytic strategies, and computational methodologies
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| 505 |
8 |
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|a Semiotic bases and computer assisted composition: Towards a cognitive modelExperiments on grammar-based analysis of music -- Analyses of musical styles and texts -- Metaphor in music -- Performative musical acts: The Verdian achievement -- Peirce�s “ground� and 19th-century Lieder -- The couples who remain: With reference to “Ici-bas� by Sully Prudhomme and Fauré -- “Apres un rîve�: A semiotic analysis of the song by Gabriel Fauré -- The problem of narrativity in the symphonic poem En saga by Jean Sibelius
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| 505 |
8 |
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|a Orchestration and form in Leos JanáÄ?ekâ€?s Concertino: An analysis of intratextural interaction“Music becomes languageâ€?: Narrative strategies in El cimarrón by Hans-Werner Henze -- Narrativity and electroacoustic music -- On the sound dimension of prehistoric painted caves and rocks -- The mythical in non-programmatic music -- The symbol of the tree in musical Jugendstil -- Aspects of the “Dance of Deathâ€? as a semiotic system -- Authors -- Index
|
| 546 |
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|a English.
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| 590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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| 650 |
|
0 |
|a Music
|x Semiotics.
|
| 650 |
|
0 |
|a Music
|x Philosophy and aesthetics.
|
| 650 |
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|a Musical analysis.
|
| 650 |
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|a Music appreciation.
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| 650 |
|
6 |
|a Sémiotique et musique.
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| 650 |
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6 |
|a Musique
|x Philosophie et esthétique.
|
| 650 |
|
6 |
|a Musique
|x Appréciation.
|
| 650 |
|
6 |
|a Analyse musicale.
|
| 650 |
|
7 |
|a MUSIC
|x Instruction & Study
|x Appreciation.
|2 bisacsh
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| 650 |
|
7 |
|a Music appreciation.
|2 fast
|0 (OCoLC)fst01030494
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| 650 |
|
7 |
|a Music
|x Philosophy and aesthetics.
|2 fast
|0 (OCoLC)fst01030408
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| 650 |
|
7 |
|a Music
|x Semiotics.
|2 fast
|0 (OCoLC)fst01030442
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| 650 |
|
7 |
|a Musical analysis.
|2 fast
|0 (OCoLC)fst01030696
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| 650 |
1 |
7 |
|a Muziek.
|2 gtt
|
| 650 |
1 |
7 |
|a Semiotiek.
|2 gtt
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| 650 |
1 |
7 |
|a Verteltheorie.
|2 gtt
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| 700 |
1 |
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|a Tarasti, Eero.
|
| 776 |
0 |
8 |
|i Print version:
|t Musical signification.
|d Berlin ; New York : Mouton de Gruyter, 1995
|w (DLC) 95009941
|w (OCoLC)32201005
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| 830 |
|
0 |
|a Approaches to semiotics ;
|v 121.
|
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