Form, program, and metaphor in the music of Berlioz /

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Few aspects of Berlioz's style are more idiosyncratic than his handling of musical form. This book, the first devoted solely to the topic, explores how his formal strategies are related to the poetic and dramatic sentiments that were his very reason for being. Rodgers draws upon Berlioz's...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Rodgers, Stephen, 1974-
Format: Électronique eBook
Langue:Inglés
Publié: Cambridge, UK ; New York : Cambridge University Press, 2009.
Sujets:
Berlioz, Hector, > 1803-1869 > Criticism and interpretation.
Berlioz, Hector, > 1803-1869.
Berlioz, Hector.
Musical form.
Metaphor.
Music > Philosophy and aesthetics.
Program music > History and criticism.
Metaphor
Formes musicales.
Métaphore.
Musique > Philosophie et esthétique.
Musique à programme > Histoire et critique.
metaphor.
MUSIC > Individual Composer & Musician.
Program music.
Programmmusik
Criticism, interpretation, etc.
Musique à programme.
Accès en ligne:Texto completo
Table des matières:
  • Introduction
  • Preliminary examples and recent theories
  • Form as metaphor
  • Mixing genres, mixing forms : sonata and song in Le carnaval romain
  • The vague des passions, monomania, and the first movement of the Symphonie fantastique
  • Love's emergence and fulfillment : the Scène d'amour from Roméo et Juliette
  • Epilogue.

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