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|a Goehr, Lydia.
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|a The imaginary museum of musical works :
|b an essay in the philosophy of music /
|c Lydia Goehr.
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|a Oxford :
|b Clarendon Press ;
|a New York :
|b Oxford Univ. Press,
|c ©1992.
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|a 1 online resource (vii, 314 pages)
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|a Includes bibliographical references (pages 287-299) and index.
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|a What is the difference between a performance of Beethoven's Fifth Symphony and the symphony itself? Lydia Goehr combines philosophical and historical methods of enquiry to show that a historical perspective is indispensable to a full understanding of musical ontology.
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|a Print version record.
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|a Preface -- Acknowledgements -- CONTENTS -- INTRODUCTION -- PART I. THE ANALYTIC APPROACH -- 1. A Nominalist Theory of Musical Works -- 2. A Platonist Theory of Musical Works -- 3. The Limits of Analysis and the Need for History -- PART II. THE HISTORICAL APPROACH -- 4. The Central Claim -- 5. Musical Meaning: From Antiquity to the Enlightenment -- 6. Musical Meaning: Romantic Transcendence and the Separability Principle -- 7. Musical Production without the Work-Concept -- 8. After 1800: The Beethoven Paradigm -- 9. Werktreue: Confirmation and Challenge in Contemporary Movements.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Music
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|a Musique
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|a Music
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|a Muziekfilosofie.
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|a Music
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|i Print version:
|a Goehr, Lydia.
|t Imaginary museum of musical works.
|d Oxford : Clarendon Press ; New York : Oxford Univ. Press, ©1992
|z 0198248180
|z 9780198248187
|w (DLC) 91028284
|w (OCoLC)24246437
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