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The effective protagonist in the nineteenth-century British novel : Scott, Bronte, Eliot, Wilde /

The Effective Protagonist in the Nineteenth-Century British Novel is an experiment in post-Jungian literary criticism and methodology. Its primary aim is to challenge current views about the correlation between narrative structure, gender, and the governing psychological dilemma in four nineteenth-c...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Dawson, Terence
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Aldershot : Ashgate, ©2004.
Colección:Nineteenth century (Aldershot, England)
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The effective protagonist in the nineteenth-century British novel :  |b Scott, Bronte, Eliot, Wilde /  |c Terence Dawson. 
260 |a Aldershot :  |b Ashgate,  |c ©2004. 
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520 |a The Effective Protagonist in the Nineteenth-Century British Novel is an experiment in post-Jungian literary criticism and methodology. Its primary aim is to challenge current views about the correlation between narrative structure, gender, and the governing psychological dilemma in four nineteenth-century British novels. The overarching argument is that the opening situation in a novel represents an implicit challenge facing not the obvious hero/heroine but the individual that Terence Dawson defines as the "effective protagonist." To illustrate his claim, Dawson pairs two sets of novels with unexpectedly comparable dilemmas: Ivanhoe with The Picture of Dorian Gray and Wuthering Heights with Silas Marner. In all four novels, the effective protagonist is an apparently minor figure whose crucial function in the ordering of the events has been overlooked. Rereading these well-known texts in relation to hitherto neglected characters uncovers startling new issues at their heart and demonstrates innovative ways of exploring both narrative and literary tradition 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
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583 1 |a digitized  |c 2010  |h HathiTrust Digital Library  |l committed to preserve  |2 pda  |5 MiAaHDL 
505 0 |a Cover; Contents; List of Figures; Acknowledgements; The Nineteenth Century General Editors' Preface; Introduction; On Critical Assumptions; On the Adjective 'Jungian'; A Post-Jungian Methodology; Anima/Animus Possession; The Effective Protagonist in the Nineteenth-Century British Novel; Objectives; PART ONE: ANIMA POSSESSION; 1. 'A Victim of his Own Contending Passions': Ivanhoe, Cedric of Rotherwood and the Logic of Romance; 2. 'Man's Deeper Nature is Soon Found Out': Psychological Typology, the Puer Aeternus, and Fear of the Feminine in The Picture of Dorian Gray 
505 8 |a PART TWO: ANIMUS POSSESSION3. 'An Oppression Past Explaining': Wuthering Heights and the Struggle for Deliverance from the Father; 4. 'Light Enough To Trusten By': Structure and Experience in Silas Marner; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z 
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600 1 0 |a Eliot, George,  |d 1819-1880.  |t Silas Marner. 
600 1 0 |a Scott, Walter,  |d 1771-1832.  |t Ivanhoe. 
600 1 0 |a Wilde, Oscar,  |d 1854-1900.  |t Picture of Dorian Gray. 
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