Bootlegging : romanticism and copyright in the music industry /

Afficher d'autres versions (2)

A valuable and distinctive contribution to the penumbra debate, refreshingly shedding light on some of the clichés of copyright, and alerting readers to the extra-legal factors that cannot be ignored in any socially-embedded study of copyright' - Stuart Hannabuss, Aberdeen Business School. �...

Description complète

Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Marshall, Lee
Format: Électronique eBook
Langue:Inglés
Publié: London ; Thousand Oaks, Calif. : SAGE Publications, 2005.
Collection:Theory, culture & society (Unnumbered)
Sujets:
Sound recordings > Pirated editions.
Sound recordings > Pirated editions > Social aspects.
Copyright > Music.
Copyright > Music > Social aspects.
Romanticism.
Enregistrements sonores > Piratage.
Enregistrements sonores > Piratage > Aspect social.
Droit d'auteur > Musique.
Droit d'auteur > Musique > Aspect social.
Romantisme.
romanticism (form of expression)
SOCIAL SCIENCE > Anthropology > Cultural.
POLITICAL SCIENCE > Public Policy > Cultural Policy.
SOCIAL SCIENCE > Popular Culture.
Copyright > Music
Romanticism
Sound recordings > Pirated editions
Muziekindustrie.
Ongeoorloofde reproductie.
Romantiek.
Kunst.
Accès en ligne:Texto completo
Table des matières:
  • Cover; Contents; Introduction; 1: Lessons from History; 2: Copyright and the Romantic Author; 3: Romanticism and Popular Music; 4: Romanticism, Copyright and Piracy; 5: Problems and Alternatives; 6: Introduction to Bootlegging; 7: An overview of Bootlegging; 8: The Impact of Bootlegging on the Record Industry and the Industry's Response; 9: The Dialectic of Romanticism and the Symbolic Significance of Bootlegging; Bibliography; Index.

Documents similaires