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Platonism, music and the listener's share /
What is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, ever-chan...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Continuum,
2006.
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| Colección: | Continuum studies in philosophy.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction and Acknowledgements; 1 Platonism, Music and the 'Listener's Share'; 2 On Knowing What We Like: 'Best Opinion' and Evaluative Warrant; 3 What's In a Work? Music, Ontology and the 'Deconstructive Turn'; 4 Between Phenomenology and Structuralism: Alternative Resources for Music Theory; 5 Music, Pleasure and the Claims of Analysis; Notes; Index of Names.