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Platonism, music and the listener's share /
What is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, ever-chan...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Continuum,
2006.
|
| Colección: | Continuum studies in philosophy.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Norris, Christopher, |d 1947- | |
| 245 | 1 | 0 | |a Platonism, music and the listener's share / |c Christopher Norris. |
| 260 | |a London : |b Continuum, |c 2006. | ||
| 300 | |a 1 online resource (202 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Continuum studies in philosophy | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction and Acknowledgements; 1 Platonism, Music and the 'Listener's Share'; 2 On Knowing What We Like: 'Best Opinion' and Evaluative Warrant; 3 What's In a Work? Music, Ontology and the 'Deconstructive Turn'; 4 Between Phenomenology and Structuralism: Alternative Resources for Music Theory; 5 Music, Pleasure and the Claims of Analysis; Notes; Index of Names. | |
| 520 | |a What is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, ever-changing socio-cultural or ideological contexts that make up its reception-history to date? Can music be thought of as possessing certain attributes, structural features, or intrinsically valuable qualities that are response-transcendent, i.e., that might always elude or surpass the best state of (curre. | ||
| 588 | 0 | |a Print version record. | |
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| 600 | 0 | 0 | |a Plato |x Criticism and interpretation. |
| 600 | 0 | 7 | |a Plato |2 fast |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Appreciation. |2 bisacsh | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 650 | 1 | 7 | |a Platonisme. |2 gtt |
| 650 | 1 | 7 | |a Muziek. |2 gtt |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Norris, Christopher, 1947- |t Platonism, music and the listener's share. |d London : Continuum, 2006 |w (DLC) 2007271456 |
| 830 | 0 | |a Continuum studies in philosophy. | |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=226974 |z Texto completo |
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