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Platonism, music and the listener's share /

What is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, ever-chan...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Norris, Christopher, 1947-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Continuum, 2006.
Colección:Continuum studies in philosophy.
Temas:
Acceso en línea:Texto completo
Descripción
Sumario:What is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, ever-changing socio-cultural or ideological contexts that make up its reception-history to date? Can music be thought of as possessing certain attributes, structural features, or intrinsically valuable qualities that are response-transcendent, i.e., that might always elude or surpass the best state of (curre.
Descripción Física:1 online resource (202 pages)
Bibliografía:Includes bibliographical references and index.
ISBN:9781847144386
1847144381
9781472597977
1472597974