Platonism, music and the listener's share /
What is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, ever-chan...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
London :
Continuum,
2006.
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Colección: | Continuum studies in philosophy.
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Temas: | |
Acceso en línea: | Texto completo |
Sumario: | What is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, ever-changing socio-cultural or ideological contexts that make up its reception-history to date? Can music be thought of as possessing certain attributes, structural features, or intrinsically valuable qualities that are response-transcendent, i.e., that might always elude or surpass the best state of (curre. |
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Descripción Física: | 1 online resource (202 pages) |
Bibliografía: | Includes bibliographical references and index. |
ISBN: | 9781847144386 1847144381 9781472597977 1472597974 |