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Tabla de Contenidos:
  • Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgments; CHAPTER 1 Introduction: manifestos, race, and modernity; THE "NOW" TIME OF THE MANIFESTO; MANIFESTOS, RACE, AND THE ANXIETIES OF EMPIRE; THE TRANSNATIONAL NETWORKS OF ANTICOLONIAL NATIONALISM; PART I Cosmopolitan London, 1906-1914; CHAPTER 2 Women's suffrage melodrama and burlesque; WOMEN'S SUFFRAGE MANIFESTOS; MELODRAMA AND MASS CULTURE; THE CONVERT; SUFFRAGE BURLESQUE; CHAPTER 3 Futurism' s music hall and India Docks; THE CONQUEST OF MODERNITY; MANIFESTOS AND THEATRICALITY; WORDS-IN-FREEDOM.
  • EVENT AS INTERRUPTION: "SUFFRAGETTES AND INDIA DOCKS"MINA LOY: "SECRET SERVICE BUFFOON"; CHAPTER 4 Vorticism's cabaret modernism and racial spectacle; THE CAVE OF THE GOLDEN CALF; BLAST AS THEATER; REBECCA WEST AND THE IMPERIAL EXOTIC; ENEMY OF THE STARS; PART II Transnational Modernisms, 1934-1938; CHAPTER 5 Nancy Cunard's Negro and black transnationalism; POLITICAL EPHEMERA; RACE AND UNEVEN TIMES; BLACK TRANSNATIONALISM; NEGRO AND THE RACIAL GROUND OF THE MODERN; CHAPTER 6 Reading across the color line: Virginia Woolf, C.L.R. James, and Suzanne and Aimé Césaire.
  • VIRGINIA WOOLF AND THE MANIFESTOC. L.R. JAMES IN LONDON; THE CÉSAIRES' RETURN; EPILOGUE Manifestos: then and now; Index.