Modernism, race and manifestos /
The modernist avant-garde used manifestos to outline their ideas, cultural programs and political agendas. Yet the manifesto, as a document of revolutionary change and a formative genre of modernism, has heretofore received little critical attention. This 2007 study reappraises the central role of m...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Cambridge :
Cambridge University Press,
2008.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgments; CHAPTER 1 Introduction: manifestos, race, and modernity; THE "NOW" TIME OF THE MANIFESTO; MANIFESTOS, RACE, AND THE ANXIETIES OF EMPIRE; THE TRANSNATIONAL NETWORKS OF ANTICOLONIAL NATIONALISM; PART I Cosmopolitan London, 1906-1914; CHAPTER 2 Women's suffrage melodrama and burlesque; WOMEN'S SUFFRAGE MANIFESTOS; MELODRAMA AND MASS CULTURE; THE CONVERT; SUFFRAGE BURLESQUE; CHAPTER 3 Futurism' s music hall and India Docks; THE CONQUEST OF MODERNITY; MANIFESTOS AND THEATRICALITY; WORDS-IN-FREEDOM.
- EVENT AS INTERRUPTION: "SUFFRAGETTES AND INDIA DOCKS"MINA LOY: "SECRET SERVICE BUFFOON"; CHAPTER 4 Vorticism's cabaret modernism and racial spectacle; THE CAVE OF THE GOLDEN CALF; BLAST AS THEATER; REBECCA WEST AND THE IMPERIAL EXOTIC; ENEMY OF THE STARS; PART II Transnational Modernisms, 1934-1938; CHAPTER 5 Nancy Cunard's Negro and black transnationalism; POLITICAL EPHEMERA; RACE AND UNEVEN TIMES; BLACK TRANSNATIONALISM; NEGRO AND THE RACIAL GROUND OF THE MODERN; CHAPTER 6 Reading across the color line: Virginia Woolf, C.L.R. James, and Suzanne and Aimé Césaire.
- VIRGINIA WOOLF AND THE MANIFESTOC. L.R. JAMES IN LONDON; THE CÉSAIRES' RETURN; EPILOGUE Manifestos: then and now; Index.