English studies in transition : papers from the ESSE Inaugural Conference /

Bringing together twenty-five contributors from all over Europe, this volume represents the vitality and diversity of the current transcultural European dialogue on English studies. Topics addressed include: * the nature of the canon * the poetics of language * the representation of women and the no...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor Corporativo: ESSE Inaugural Conference University of East Anglia
Otros Autores: Clark, Robert, 1948-, Boitani, Piero
Formato: Electrónico Congresos, conferencias eBook
Idioma:Inglés
Publicado: London ; New York : Routledge, 1993.
Temas:
English literature > History and criticism > Congresses.
Littérature anglaise > Histoire et critique > Congrès.
LITERARY CRITICISM > European > English, Irish, Scottish, Welsh.
English literature
Electronic books.
Conference papers and proceedings
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Chapter INTRODUCTION / Robert Clark
  • part Part I LITERARY AND CULTURAL THEORY
  • chapter 1 THE FUTURE OF THE ENGLISH LITERARY CANON / Frank Kermode
  • chapter 2 THE POLITICS OF ENGLIT AND SUBCULTURES / Alan Sinfield
  • chapter 3 DIABOLISM AND ANGELISM
  • Dialogue, meaning and nonsense / Jean-Jacques Lecercle
  • chapter 4 'THE WRITTEN AND THE UNSPOKEN' / Jina Politi
  • chapter 5 SPACE, TIME AND THE THEORY OF TRANSFORMATIONS / Herbert Grabes
  • chapter 6 BRUGES GROUP OR COMMON MARKET? REALISM, POSTMODERNISM AND POSTWAR BRITISH FICTION
  • Realism, postmodernism and postwar British fiction / Theo D'haen
  • chapter 7 THE IDEOLOGICAL ROOTS OF CULTURAL STUDIES IN ENGLAND / Marc De la Ruelle
  • part Part II TEXTUAL STUDIES
  • chapter 8 DIALOGICAL READING AND THE BIBLICAL-CREED NARRATIVE PRAYERS IN CHAUCER'S 'MAN OF LAW'S TALE' / Juliette Dor
  • chapter 9 NATIONAL HISTORIOGRAPHY AND CULTURAL IDENTITY
  • The example of the English Renaissance / Claus Uhlig
  • chapter 10 TRANSLATING SHAKESPEARE FOR THE THEATRE / Agostino Lombardo
  • chapter 11 'SO FULL OF SHAPES IS FANCY': GENDER AND POINT OF VIEW IN TWELFTH NIGHT
  • Gender and point of view in / Twelfth Night William Dodd
  • chapter 12 PERICULOSA ET PESTILENS QUAESTIO: INTERROGATIVE DISCOURSE IN DONNE'S HOLY SONNETS
  • Interrogative discourse in Donne's / Holy Sonnets Donatella Pallotti
  • chapter 13 THE IMAGE OF THE OTHER IN EIGHTEENTH- CENTURY ENGLISH EUROPEAN TRAVEL LITERATURE / Ingrid Kuczynski
  • chapter 14 COLERIDGE AND EARLY ITALIAN ART / J.B. Bullen
  • chapter 15 FORD MADOX FORD AND EUROPEAN CULTURE / Max Saunders
  • chapter 16 VIRGINIA WOOLF AND THE APPROPRIATION OF THE MASCULINE / Catherine Sandbach-Dahlström
  • chapter 17 WHO DARES TO SPEAK? IRELAND AND THE GREAT WAR / Terence Brown
  • chapter 18 AUDEN'S ICARUS AND HIS FALL: VISION, SUPER- VISION AND REVISION
  • Vision, super-vision and revision / João Ferreira Duarte
  • chapter 19 THE POET AND THE DEATH DRIVE
  • A reading of Dylan Thomas's 'The Force that through the Green Fuse Drives the Flower' / Adolphe Haberer
  • chapter 20 'THE DARK WOOD OF THE LARYNX':
  • Heaney and Dante / Gareth Reeves
  • chapter 21 TED HUGHES: CONTINUITY AND TRANS- FORMATIONS IN THE ACT OF WRITING
  • Continuity and transformations in the act of writing / Maria Stella
  • chapter 22 LAIKIN, WITH GLOSSOLALIA: TONY HARRISON / Anita Weston
  • chapter 23 THE FEMALE BODY POLITIC
  • From victimization to empowerment / Pilar Hidalgo
  • chapter 24 FEMINIST HETEROLOGIES
  • Contemporary British women playwrights and the rewrite of myth and history / Elizabeth Sakellaridou
  • chapter 25 THE NATION AS METAPHOR IN CONTEMPORARY AFRICAN LITERATURE / Elleke Boehmer.

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