Feminist metafiction and the evolution of the British novel /

''This is the best book of feminist narratology to appear in the past ten years. A genuine advance in the field of the history of British fiction.''--Robyn R. Warhol, University of Vermont''Ambitious in scope, meticulously argued, an innovative approach to canonical nov...

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Bibliographic Details
Call Number:Libro Electrónico
Main Author: Peters, Joan Douglas, 1949-
Format: Electronic eBook
Language:Inglés
Published: Gainesville : University Press of Florida, 2002.
Subjects:
English fiction > History and criticism.
Feminism and literature > Great Britain > History.
Feminist fiction, English > History and criticism.
Women and literature > Great Britain > History.
Point of view (Literature)
First person narrative.
Women in literature.
Roman anglais > Histoire et critique.
Femmes et littérature > Grande-Bretagne > Histoire.
Point de vue (Littérature)
Récits à la première personne.
Femmes dans la littérature.
LITERARY CRITICISM > European > English, Irish, Scottish, Welsh.
English fiction.
Feminism and literature.
Feminist fiction, English.
Women and literature.
English.
English Literature.
Languages & Literatures.
Great Britain.
Criticism, interpretation, etc.
History.
Online Access:Texto completo
Table of Contents:
  • Table of Contents; Acknowledgments xi; Introduction 1; 1. Satire and the Woman's Text: The Novelas Argument in Moll Flanders 22; 2. Her Authoritative Text: A Woman's Rhetoric of Ethics and Genre in Clarissa 51; 3. Finding a Voice: Toward a Woman's Discourse of Dialogue in Jane Eyre 77; 4. Ideology, Ethics, and Voice: Privileging the Woman's Mode in Bleak House 100; 5. Performing Texts: Woman and Polyphony in Mrs. Dalloway 127; 6. Recovering the Modernist Lawrence: The Function of Woman's Narrative in The Rainbow and Lady Chatterley's Lover 159; Conclusion 192; Notes 197; Works Cited 231

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