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|a O'Brien, Charles,
|d 1955-
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1 |
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|a Cinema's conversion to sound :
|b technology and film style in France and the U.S. /
|c Charles O'Brien.
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|a Bloomington :
|b Indiana University Press,
|c ©2005.
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|a Includes filmography: pages 191-186.
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|a Includes bibliographical references (pages 165-190) and index.
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|a Sound's impact on film style : the case for homogenization -- Film history after recorded sound : from crisis to continuity -- The talkies in France : imported films as exemplars -- Sound-era film editing : international norms, local commitments -- Shooting and recording in Paris and Hollywood -- Hollywood indigenized : pathé-natan and national popular cinema -- Conclusion: sound and national film style--past and present.
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|a The conversion to sound cinema is routinely portrayed as a homogenizing process that significantly reduced the cinema's diversity of film styles and practices. Cinema's Conversion to Sound offers an alternative assessment of synchronous sound's impact on world cinema through a shift in critical focus: in contrast to film studies' traditional exclusive concern with the film image, the book investigates national differences in sound-image practice in a revised account of the global changeover from silent to.
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|a Print version record.
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|f Restrictions unspecified
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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|a Sound
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|x History
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|
650 |
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|x Histoire.
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650 |
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|
650 |
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6 |
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650 |
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6 |
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|
650 |
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|i Print version:
|a O'Brien, Charles, 1955-
|t Cinema's conversion to sound.
|d Bloomington : Indiana University Press, ©2005
|z 0253217202
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