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The new red Negro : the literary left and African American poetry, 1930-1946 /
This text surveys African American poetry between the onset of the Depression and the early days of the Cold War. It considers the relationship between the thematic and formal choices of African American poets, and organized ideology from "proletarian" early 1930s to the "neo-modernis...
| Cote: | Libro Electrónico |
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| Auteur principal: | |
| Format: | Électronique eBook |
| Langue: | Inglés |
| Publié: |
New York :
Oxford University Press,
1999.
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| Collection: | Race and American culture.
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| Sujets: | |
| Accès en ligne: | Texto completo |
Table des matières:
- Introduction: Of the coming of the new red negro
- African-American poetry, ideology, and the left during the 1930s and 1940s from the third period to the popular front and beyond
- "The strong men gittin' stronger": Sterling Brown and the respresentation and re-creation of the southern folk voice
- "Adventures of a social poet": Langston Highes in the 1930s
- "I am black and I have seen black hands": The narratorial consciousness and constructions of the folk in 1930s African-American poetry
- Hughes's Shakespeare in Harlem and the rise of popular neomodernism
- Hysterical ties: Gwendolyn Brooks and the rise of a "high" neomodernism
- The popular front, World War II, and the rise of neomoderism in African-American poetry of the 1940s
- Conclusion: Sullen bakeries of total recall."