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Modernist writing and reactionary politics /
Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the separation of art from an increasingly industrialised society. Fascism became attractive to these writers because it promised to reintegrate art into society while simultaneously guaranteeing...
| Cote: | Libro Electrónico |
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| Auteur principal: | |
| Format: | Électronique eBook |
| Langue: | Inglés |
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Cambridge, UK ; New York :
Cambridge University Press,
2001.
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| Sujets: | |
| Accès en ligne: | Texto completo |
Table des matières:
- Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgements; Introduction; CHAPTER 1 W.B. Yeats and the family romance of Irish nationalism; CHAPTER 2 Ezra Pound and the poetics of literalism; CHAPTER 3 'Neither Living nor Dead': T.S. Eliot and the uncanny; CHAPTER 4 The homosocial and fascism in D.H. Lawrence; CHAPTER 5 'Always à Deux': Wyndham Lewis and his doubles; Notes; Works cited; Index.