Painting gender, constructing theory : the Alfred Stieglitz Circle and American formalist aesthetics /

How critical conceptions of gender and sexuality helped to advance the artistic careers of the Alfred Stieglitz Circle and influenced American formalist aesthetics. After the closing of his first art gallery in 1917, photographer Alfred Stieglitz reemerged in the New York art world in the 1920s. He...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Brennan, Marcia
Format: Électronique eBook
Langue:Inglés
Publié: Cambridge, Mass. : MIT Press, ©2001.
Sujets:
Stieglitz, Alfred, > 1864-1946 > Aesthetics.
Stieglitz, Alfred, > 1864-1946.
Stieglitz Circle (Group of artists)
Modernism (Art) > United States.
Gender identity in art.
Cercle de Stieglitz (Groupe d'artistes)
Modernisme (Art) > États-Unis.
Identité de genre dans l'art.
ART > American > General.
Aesthetics.
Modernism (Art)
Sekseverschillen.
Kunst.
United States.
ARTS/General
Electronic books.
Geschiedenis (vorm)
Accès en ligne:Texto completo
Table des matières:
  • Puritan repression and the Whitmanic ideal: the Stieglitz Circle and debates in American high culture, 1916-1929
  • Faith, love and the broken camera: Alfred Stieglitz and New York Dada
  • Alfred Stieglitz and his critics: an aesthetics of intimacy
  • Arthur Dove and Georgia O'Keeffe: corporeal transparency and strategies of inclusion
  • John Marin: framed landscapes and embodied visions
  • Marsden Hartley and Charles Demuth: the edges of the circle
  • Modernism's masculine subjects: Alfred Stieglitz versus Thomas Hart Benton
  • The contest for "the greatest American painter of the twentieth century": Alfred Stieglitz and Clement Greenberg.

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