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Pop art and the origins of post-modernism /
"Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of a group of New York-based critics, including Leo Steinberg, Susan Sontag, and Max Kozloff, among others, Sylvia Harrison demonstrates how their ideas - broad...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
2001.
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| Colección: | Contemporary artists and their critics.
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| Temas: | |
| Acceso en línea: | Texto completo |
| Sumario: | "Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of a group of New York-based critics, including Leo Steinberg, Susan Sontag, and Max Kozloff, among others, Sylvia Harrison demonstrates how their ideas - broadly categorized as either sociological or philosophical - bear a striking similarity to the body of thought and opinion that is now associated with deconstructive post-modernism. Perceived through these disciplinary lenses, Pop Art arises as not only a reflection of the dominance of mass communications and capitalist consumerism in post-war American society but also as a subversive commentary on worldviews and the factors necessary for their formation."--Jacket |
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| Descripción Física: | 1 online resource (vii, 280 pages) |
| Bibliografía: | Includes bibliographical references (pages 223-273) and index. |
| ISBN: | 0511016247 9780511016240 0511031491 9780511031496 9780511497681 0511497687 0521791154 9780521791151 9780511481031 0511481039 |