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Mozart, Piano concertos no. 20 in D minor, K. 466, and no. 21 in C major, K. 467 /
"This guide to Mozart's two most popular piano concertos - No. 20 in D minor, K. 466, and No. 21 in C major, K. 467 (the so-called 'Elvira Madigan') - presents the historical background of the works and places them within the context of Mozart's compositional and performance...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, United Kingdom ; New York :
Cambridge University Press,
1998.
|
| Colección: | Cambridge music handbooks.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Grayson, David A. | |
| 245 | 1 | 0 | |a Mozart, Piano concertos no. 20 in D minor, K. 466, and no. 21 in C major, K. 467 / |c David Grayson. |
| 246 | 1 | 4 | |a Mozart, Piano concertos nos. 20 and 21 |
| 260 | |a Cambridge, United Kingdom ; |a New York : |b Cambridge University Press, |c 1998. | ||
| 300 | |a 1 online resource (xii, 143 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Cambridge music handbooks | |
| 504 | |a Includes bibliographical references (pages 134-137) and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a "This guide to Mozart's two most popular piano concertos - No. 20 in D minor, K. 466, and No. 21 in C major, K. 467 (the so-called 'Elvira Madigan') - presents the historical background of the works and places them within the context of Mozart's compositional and performance activities at a time when his reputation as both composer and pianist was at its peak. The special nature of the concerto, as both a form and a genre, is explored through a survey of some of the approaches that critics have taken in discussing Mozart's concertos, ranging from analysis of pure structure to representations of the works as metaphors for human dramas. A theory of concerto form provides the basis for detailed accounts of the two concertos. The concluding chapter discusses a wide range of issues of particular interest to modern performers, including historical instruments, orchestra size and seating, cadenzas, basso continuo and improvised embellishments."--Jacket | ||
| 546 | |a English. | ||
| 505 | 0 | |a Twentieth-century theories of Mozart's concerto form -- First movements -- Middle movements -- Finales -- Performance practice issues. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |t Concertos, |m piano, orchestra, |n K. 466, |r D minor. |
| 600 | 1 | 0 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |t Concertos, |m piano, orchestra, |n K. 467, |r C major. |
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| 630 | 0 | 7 | |a Konzert, Klavier Orchester KV 466. |2 swd |
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| 776 | 0 | 8 | |i Print version: |a Grayson, David A. |t Mozart, Piano concertos no. 20 in D minor, K. 466, and no. 21 in C major, K. 467. |d Cambridge, United Kingdom ; New York : Cambridge University Press, 1998 |z 0521481562 |w (DLC) 97050598 |w (OCoLC)38061701 |
| 830 | 0 | |a Cambridge music handbooks. | |
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