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The future of art : an aesthetics of the new and the sublime /

"By analyzing the three loci of aesthetics - the subjective, the objective, and the absolute - the author concludes that only the sublime demonstrates that art is neither subjective nor objective. The one essential component of art is the new, the sole "instrument" that can guarantee...

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Bibliographic Details
Call Number:Libro Electrónico
Main Author: Tarozzi Goldsmith, Marcella, 1943-
Format: Electronic eBook
Language:Inglés
Published: Albany : State University of New York Press, ©1999.
Series:SUNY series in aesthetics and the philosophy of art.
Subjects:
Online Access:Texto completo
Table of Contents:
  • The historical side of aesthetics
  • The birth of aesthetics
  • Art on the offensive
  • The role of imagination
  • Self-transcendence
  • Desire's ignorance
  • Faust, never lost in desire
  • Desiring the will
  • The despairing will
  • Art as the organon of philosophy
  • Real/ideal
  • Salvific intuition
  • Myths versus mysticism
  • After Schelling
  • Prosaic myths
  • Art's futurity
  • The necessity of art
  • Philosophy as the organon of art
  • Sic transit
  • Hegel's triptychs
  • Beauty surpassed
  • The ultimate rationality
  • Myths and the symbol
  • The symbolic sublime
  • The circle
  • Art's new truth
  • Apprehending the new
  • The subject transformed
  • The hidden truth
  • Philosophic art and aesthetics
  • The emerging meaning
  • The function of art
  • Neutrality
  • Art as the organon of art
  • From artifice to the will
  • Art uprooted from truth
  • Nietzsche's appearance
  • Expected tragedies
  • Rhetoric first
  • Being and art: the axis Nietzsche-Heidegger
  • Art: the truth of the nonexistent
  • The sublimity of nihilism
  • The nothingness of art
  • The repercussions of nihilism
  • Utopia and nihilism: the two faces of the aesthetic
  • Renouncing the beautiful
  • Unprecedented form
  • Metaphor
  • Sublime allegory
  • The aesthetics of negativity
  • Subjective aesthetics
  • The role of subjectivity
  • Art: imagining the true
  • New sensations
  • Hermeneutics
  • The unconscious subject
  • The ineffable
  • Tragedy and comedy
  • Sublime sublimity.