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Writing performance : poeticizing the researcher's body /
"Ronald J. Pelias is concerned with writing about performance, from the everyday performative routines to the texts on stage. He seeks to write performatively, to offer poetic or aesthetic renderings of performance events in order to capture some sense of their nature. In his quest for the spir...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Carbondale [Ill.] :
Southern Illinois University Press,
©1999.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Pelias, Ronald J. | |
| 245 | 1 | 0 | |a Writing performance : |b poeticizing the researcher's body / |c Ronald J. Pelias. |
| 260 | |a Carbondale [Ill.] : |b Southern Illinois University Press, |c ©1999. | ||
| 300 | |a 1 online resource (xvi, 168 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |g pt. 1. |t Performing Every Day. |g 1. |t An Ethnographic Autobiography of Performance in Everyday Life. |g 2. |t Naming Men: The Business of Performing Manly. |g 3. |t Performing in the Classroom. |g 4. |t Telling Tales. |g 5. |t A Day's Talk -- |g pt. 2. |t On Writing and Performing. |g 6. |t The Poet and Performer Take Stage. |g 7. |t Confessions of an Apprehensive Performer. |g 8. |t The Audition. |g 9. |t Becoming Another: A Love Song for J. Alfred Prufrock. |g 10. |t Performance Is ... -- |g pt. 3. |t Being a Witness. |g 11. |t On Looking On. |g 12. |t Doing the New York Scene. |g 13. |t The DEF Comedy Jam, bell hooks, and Me. |g 14. |t Moving Bodies in Space and Time. |g 15. |t An Interview. |
| 520 | 1 | |a "Ronald J. Pelias is concerned with writing about performance, from the everyday performative routines to the texts on stage. He seeks to write performatively, to offer poetic or aesthetic renderings of performance events in order to capture some sense of their nature. In his quest for the spirit of theatrical performances in a collection of essays, Pelias, of course, asks more of the written word than the word can deliver. Yet the attempt is both desirable - and necessary. To discuss performance without some accounting for its essence as art, he asserts, is at best misleading, at worst, fraud."--BOOK JACKET. ""On Writing and Performing" examines the written script and performance practices. It contains a description of a struggle between a writer and a performer as they protect their own interests; on intimate look at an apprehensive performer; a short play entitled "The Audition," which deals with what it means to be an actor; a chronicle of performance process from the perspective of an actor; and a brief essay on the nature of performance."--BOOK JACKET. ""Being a Witness" examines performance from the perspective of the audience and the director. It includes essays on the experience of being an audience member; viewing theatre in the context of New York City; directing and being directed by actors' bodies; watching The DEF Comedy Jam; and, in the form of an interview, some final reflections about working with performance for many years."--Jacket | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 546 | |a English. | ||
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| 650 | 0 | |a Acting |x Psychological aspects. | |
| 650 | 0 | |a Performing arts. | |
| 650 | 0 | |a Performance art. | |
| 650 | 0 | |a Theater audiences |x Psychology. | |
| 650 | 0 | |a Human body. | |
| 650 | 6 | |a Art dramatique |x Aspect psychologique. | |
| 650 | 6 | |a Arts du spectacle. | |
| 650 | 6 | |a Art de performance. | |
| 650 | 6 | |a Théâtre |x Publics |x Psychologie. | |
| 650 | 6 | |a Corps humain. | |
| 650 | 7 | |a performance art. |2 aat | |
| 650 | 7 | |a PERFORMING ARTS |x Acting & Auditioning. |2 bisacsh | |
| 650 | 7 | |a Acting |x Psychological aspects. |2 fast |0 (OCoLC)fst00796157 | |
| 650 | 7 | |a Human body. |2 fast |0 (OCoLC)fst01730057 | |
| 650 | 7 | |a Performance art. |2 fast |0 (OCoLC)fst01057852 | |
| 650 | 7 | |a Performing arts. |2 fast |0 (OCoLC)fst01057887 | |
| 650 | 7 | |a Theater audiences |x Psychology. |2 fast |0 (OCoLC)fst01149333 | |
| 650 | 7 | |a Publikum |2 gnd | |
| 650 | 7 | |a Schauspielkunst |2 gnd | |
| 650 | 7 | |a Theater |2 gnd | |
| 776 | 0 | 8 | |i Print version: |a Pelias, Ronald J. |t Writing performance. |d Carbondale [Ill.] : Southern Illinois University Press, ©1999 |z 0809322358 |w (DLC) 98037551 |w (OCoLC)39981188 |
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