The world wars through the female gaze /

In The World Wars Through the Female Gaze, Jean Gallagher maps one portion of the historicized, gendered territory of what Nancy K. Miller calls the "gaze in representation." Expanding the notion of the gaze in critical discourse, Gallagher situates a number of visual acts within specific...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gallagher, Jean, 1962-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Carbondale : Southern Illinois University Press, 1998.
Temas:
1914-1945
World War, 1914-1918 > Personal narratives, American.
World War, 1914-1918 > Pictorial works.
World War, 1939-1945 > Personal narratives, American.
World War, 1939-1945 > Pictorial works.
Women > United States > Biography.
Visual perception.
Visual Perception
Guerre mondiale, 1914-1918 > Ouvrages illustrés.
Guerre mondiale, 1939-1945 > Ouvrages illustrés.
Femmes > États-Unis > Biographies.
Perception visuelle.
visual perception.
HISTORY > Military > World War I.
Visual perception
Women
Schriftstellerin
Wahrnehmung
Weltkrieg > 1914-1918
Fotografin
United States
USA
Women > United States > Biography
World War, 1914-1918 > Personal narratives, American
World War, 1914-1918 > Pictorial works
World War, 1939-1945 > Personal narratives, American
World War, 1939-1945 > Pictorial works
Biography
Personal Narrative
illustrated books.
Personal narratives
Illustrated works
Biographies
Personal narratives > American
Pictorial works
Biographies.
Illustrated works.
Personal narratives.
Ouvrages illustrés.
Récits personnels.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • pt. 1. Great War and the female observer: eyewitness texts and the subject of propaganda
  • ch. 1. Edith Wharton and the iconography of war propaganda
  • ch. 2. Mapping the female observer in A hilltop on the Marne
  • pt. 2. Regarding Fascism
  • ch. 3. Stricken field and the field of vision: Fascism, gender, and the specular
  • ch. 4. Vision, violence, and Vogue: war and correspondence in Lee Miller's photography
  • pt. 3. Homefront vision and modernist memoir in World War II
  • ch. 5. Visual disturbances in an expanded field: H.D. and the blitz
  • ch. 6. Occupation and observer: Gertrude Stein in Vichy France.

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