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EBOOKCENTRAL_on1347024649 |
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OCoLC |
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20240329122006.0 |
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m o d |
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221015s2015 xx o ||| 0 eng d |
| 040 |
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|a EBLCP
|b eng
|c EBLCP
|d HF9
|d EBLCP
|d OCLCQ
|d OCLCO
|d OCLCQ
|d DEBBG
|d OCLCQ
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| 020 |
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|a 9781118340615
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|a 1118340612
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|a (OCoLC)1347024649
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|a PN1995
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0 |
4 |
|a 791.4301
|2 23
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| 049 |
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|a UAMI
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| 100 |
1 |
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|a Stam, Robert.
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| 245 |
1 |
0 |
|a Keywords in Subversive Film /
|h [electronic resource].
|c Media Aesthetics.
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| 260 |
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|a Newark :
|b John Wiley & Sons, Incorporated,
|c 2015.
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| 300 |
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|a 1 online resource (327 p.).
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| 490 |
1 |
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|a New York Academy of Sciences Ser.
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| 500 |
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|a Description based upon print version of record.
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0 |
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|a Intro -- Title Page -- Copyright Page -- Contents -- Acknowledgments -- Introduction -- Notes -- Chapter 1 An Aesthetics of the Commons -- The Aesthetic Commons -- From Columbus to Indigenous Media -- First Peoples, First Features -- The Storytelling Commons -- Revisionist Adaptation and the Literary Commons -- Cultural Indigenization -- The Archival Commons and the Ab-original Musical -- Notes -- Chapter 2 The Upside-Down World of the Carnivalesque -- The People's Second Life -- Sacred Parody -- Festive-Revolutionary Practices -- Unruly Women -- Polymorphous Celebrations
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| 505 |
8 |
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|a Stand-up Comedy and Nuclear Catastrophe -- Contemporary Fools -- Pedagogic Humor and Provocation -- Tropes of Social Inversion -- Offside Cinema -- Notes -- Chapter 3 Political Modernism and Its Discontents -- The Two Avant-Gardes -- The Brechtian Legacy -- Beyond Brecht -- The Affective-Corporeal Turn -- The Rediscovery of Pleasure -- The Legacy of the V-Effect -- Political Cinema in the Age of the Posts -- Notes -- Chapter 4 The Transmogrification of the Negative -- An Aesthetic of Mistakes -- Third Cinema: From Hunger to Garbage -- Sublime Detritus -- The Recombinant Sublime
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| 505 |
8 |
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|a Anthropophagic Modernism -- Situationist Détournement -- Culture Jamming -- Neo-Situationism and the Aesthetics of Failure -- Media Jujitsu -- The New Kino-Eye: Vision Machines -- Notes -- Chapter 5 Hybrid Variations on a Documentary Theme -- The Fiction-Documentary Continuum -- Murderous Reenactments -- The Mediatic Spectrum -- From Representation to Self-Presentation -- The Strategic Advantages of Hybridization -- Performative Films -- The Essay Film and Mockumentaries -- Notes -- Chapter 6 Hollywood Aristotelianism, the Fractured Chronotope, and the Musicalization of Cinema
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| 505 |
8 |
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|a Hollywood Aristotelianism: the Orthodox Chronotope -- Alternatives to Aristotle: the Menippean Strain -- Pop Culture Anachronism and the Chronotope of the Road -- Baroque Modernism and the Marvelous American Real -- Trance-Modernism -- Contrapuntal Variations -- Transformative Becomings -- The Shape-Shiftings of Popular Culture -- Metaphysical Cine-Poetry -- Notes -- Chapter 7 Aesthetic/Political Innovation in the Digital Era -- Beyond Accelerationism: Digital Montage and Duration -- Tools of Engagement: Interactivity and Digital Détournement
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| 505 |
8 |
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|a IRL Subversions: Tactical Media and Digital Materialism -- In Guise of a Conclusion -- Notes -- Index -- EULA
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| 590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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| 655 |
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0 |
|a Electronic books.
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| 776 |
0 |
8 |
|i Print version:
|a Stam, Robert
|t Keywords in Subversive Film / Media Aesthetics
|d Newark : John Wiley & Sons, Incorporated,c2015
|z 9781118288924
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| 830 |
|
0 |
|a New York Academy of Sciences Ser.
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| 856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=7103558
|z Texto completo
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| 938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL7103558
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| 994 |
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|a 92
|b IZTAP
|
