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Dutch Post-war Fiction Film through a Lens of Psychoanalysis /

Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers's oeuvre, which spans 'art' cinema and cult, genre film...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Verstraten, Peter (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Eye Filmmuseum/Amsterdam University Press, [2021]
Colección:Framing film (Amsterdam, Netherlands)
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Verstraten, Peter,  |e author. 
245 1 0 |a Dutch Post-war Fiction Film through a Lens of Psychoanalysis /  |c Peter Verstraten. 
264 1 |a Amsterdam :  |b Eye Filmmuseum/Amsterdam University Press,  |c [2021] 
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504 |a Includes bibliographical references, indexes and filmography. 
520 |a Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers's oeuvre, which spans 'art' cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but psychoanalytic theories on desire and fantasy are employed to put this idea into perspective. In the vein of cinephilia, this study brings together canonical titles (ALS TWEE DRUPPELS WATER; SOLDAAT VAN ORANJE) and little gems (MONSIEUR HAWARDEN; KRACHT). It juxtaposes among others GLUCKAUF and DE VLIEGENDE HOLLANDER (on father figures); FLANAGAN and SPOORLOOS (on rabbles and heroes); DE AANSLAG and LEEDVERMAAK (on historical traumas); ANTONIA and BLUEBIRD (on aphanisis). Bron: Flaptekst, uitgeversinformatie. 
588 0 |a Online resource; title from digital title page (viewed on May 06, 2021). 
505 0 0 |t Frontmatter --  |t TABLE OF CONTENTS --  |t Preface --  |t Introduction --  |t CHAPTER 1. Spitting Images, Blind Spots, and Dark Mirrors --  |t CHAPTER 2. In the Name of Fathers -- Overbearing, Flying, or Otherwise --  |t CHAPTER 3. That Obscure Object of Desire --  |t CHAPTER 4. From Ordinary Men and Rabbles to Heroes --  |t CHAPTER 5. Paranoia, Psychosis, The Horrific-Fantastic --  |t CHAPTER 6. Passages ̉ l'Acte --  |t CHAPTER 7. From Historical Discomfort to Historical Trauma --  |t CHAPTER 8. Aphanisis --  |t CHAPTER 9. Hysteria, Neurosis, Perversion --  |t Epilogue --  |t BIBLIOGRAPHY --  |t FILMOGRAPHY --  |t INDEX OF CONCEPTS --  |t INDEX OF FILMS --  |t INDEX OF NAMES 
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650 0 |a Motion pictures  |x Psychological aspects. 
650 6 |a Psychanalyse et cinéma  |z Pays-Bas. 
650 6 |a Cinéma  |x Aspect psychologique. 
650 7 |a Films, cinema.  |2 bicssc 
650 7 |a Psychology.  |2 bicssc 
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650 7 |a Individual film directors, film-makers.  |2 thema 
650 7 |a Psychoanalytical and Freudian psychology.  |2 thema 
648 7 |a 1900-1999  |2 fast 
653 |a Dutch cinema - psychoanalysis (Freud, Lacan, Zizek) - cinephilia. 
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