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OCoLC |
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20240329122006.0 |
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201107s2020 xx o ||| 0 eng d |
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|a EBLCP
|b eng
|c EBLCP
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|d LOA
|d OCLCO
|d OCLCF
|d OCLCQ
|d HF9
|d OCLCQ
|d OCLCL
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|a 9781789253979
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|a 1789253977
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|a (OCoLC)1204136956
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|a N5310.5.E83
|b .N568 2020
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0 |
4 |
|a 709.01
|2 23
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| 049 |
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|a UAMI
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1 |
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|a Nimura, Courtney.
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|a Art in the Eurasian Iron Age
|h [electronic resource] :
|b Context, Connections and Scale.
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| 260 |
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|a Havertown :
|b Oxbow Books, Limited,
|c 2020.
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| 300 |
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|a 1 online resource (257 p.)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 500 |
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|a Description based upon print version of record.
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|a Cover -- Book Title -- Copyright -- Table of Contents -- List of figures and tables -- List of contributors -- Introduction: Context, connections and scale: Chris Gosden, Helen Chittock, Peter Hommel and Courtney Nimura -- 1. Art, ambiguity and transformation: Chris Gosden -- 2. Collecting Iron Age art: Courtney Nimura, Peter Hommel, Helen Chittock and Chris Gosden -- 3. Eurasian Iron Age interactions: A perspective on the sources and purposes of La Tène style ('Celtic') art: Peter S. Wells
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| 505 |
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|a 4. Fantastic beasts and where to find them: Composite animals in the context of Eurasian Early Iron Age art: Rebecca O'Sullivan and Peter Hommel -- 5. Bodies and objects in Iron Age Europe and beyond: An integrated approach to anthropomorphic imagery: Helen Chittock -- 6. How Celts perceived the world: Early Celtic art and analogical thought: Laurent Olivier -- 7. How can Celtic art styles and motifs act? A case study from later Iron Age Norfolk: Jody Joy -- 8. Visual memory and perceptions in ancient Celtic art: Nathalie Ginoux
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| 505 |
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|a 9. Celtic art before the Early Style: Some new data from south-west Germany and the Heuneburg: Dirk Krausse -- 10. Sign o' the times: The re-use of pre-Roman Iron Age British and European symbols on Late Iron Age Irish equestrian equipment: Rena Maguire -- 11. 'Damn clever metal bashers': The thoughts and insights of 21st century goldsmiths, silversmiths and jewellers regarding Iron Age gold torus torcs: Tess Machling and Roland Williamson
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| 505 |
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|a 12. Refugees, networks, politics and east-west connections in Early Celtic art: Paul Jacobsthal's 'History of a Monster' in context: Sally Crawford and Katharina Ulmschneider -- 13. The history of a monster: Paul Jacobsthal -- Discussion: Dialogues with Jacobsthal: Tim Champion
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| 590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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| 650 |
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0 |
|a Iron age.
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| 650 |
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7 |
|a Iron age
|2 fast
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| 700 |
1 |
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|a Chittock, Helen.
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| 700 |
1 |
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|a Hommel, Peter.
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| 700 |
1 |
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|a Gosden, Chris.
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| 758 |
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|i has work:
|a Art in the Eurasian Iron Age (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGgM6388cwQJkgrFQ9xqwC
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
8 |
|i Print version:
|a Nimura, Courtney
|t Art in the Eurasian Iron Age : Context, Connections and Scale
|d Havertown : Oxbow Books, Limited,c2020
|z 9781789253948
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| 856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=6383450
|z Texto completo
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| 938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL6383450
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| 994 |
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|a 92
|b IZTAP
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