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201029s2016 enk ob 001 0 eng d |
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|a 9781350225206
|q (electronic bk.)
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|a 1350225207
|q (electronic bk.)
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|z 9781474288866
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|z 1474288863
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|a (OCoLC)1202224916
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|a ML197
|b .A313 2016
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|a 780.9/04
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|a UAMI
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100 |
1 |
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|a Adorno, Theodor W.,
|d 1903-1969,
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PBJvd6Y9dFMJMQhr37r7fv3
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240 |
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|a Philosophie der neuen Musik.
|l English
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245 |
1 |
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|a Philosophy of modern music
|h [electronic resource] /
|c Theodor W. Adorno ; translated by Anne G. Mitchell and Wesley V. Blomster.
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264 |
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1 |
|a London :
|b Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc,
|c 2016.
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264 |
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|c ©2007
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300 |
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|a 1 online resource.
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490 |
1 |
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|a Bloomsbury revelations series
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505 |
0 |
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|a Intro -- Title Page -- Copyright Page -- Contents -- Translators' Introduction -- Preface -- Introduction -- Choice of subject matter -- New conformism -- False musical consciousness -- 'Intellectualism' -- Modern music unprotected -- The antinomy of modern music -- Growing indifferentism -- On method -- Schoenberg and Progress -- Disturbance of the work -- Inherent tendency of musical material -- Schoenberg's criticism of illusion and play -- Dialectics of loneliness -- Loneliness as style -- Expressionism as objectivity -- Total organization of the elements of music -- Total development
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505 |
8 |
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|a The concept of twelve-tone technique -- Musical domination of nature -- Loss of freedom -- Twelve-tone melos and rhythm -- Differentiation and coarsening -- Harmony -- Instrumental timbre -- Twelve-tone counterpoint -- Function of counterpoint -- Form -- The composers -- Avant-garde and theory -- The renunciation of material -- Cognitive character -- Attitude towards society -- Stravinsky and Restoration -- Authenticity -- Sacrifice and the absence of intention -- The hand organ as a primeval phenomenon -- Sacre and African sculpture -- Technical elements in Sacre -- 'Rhythm'
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505 |
8 |
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|a Identification with the collective -- Archaism, modernism, infantilism -- Permanent regression and musical form -- The psychotic aspect -- Ritual -- Alienation as objectivity -- Fetishism of the means -- Depersonalization -- Hebephrenia -- Catatonia -- Music about music -- Denaturation and simplification -- Dissociation of time -- Music -- a pseudomorphism of painting -- Theory of ballet music -- Modes of listening -- The deception of objectivism -- The final trick -- Neoclassicism -- Experiments in expansion -- Schoenberg and Stravinsky -- Note to the third edition -- Notes
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505 |
8 |
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|a Translators' Introduction -- Preface -- Introduction -- Schoenberg and Progress -- Stravinsky and Restoration -- Index
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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600 |
1 |
0 |
|a Schoenberg, Arnold,
|d 1874-1951
|x Criticism and interpretation.
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600 |
1 |
0 |
|a Stravinsky, Igor,
|d 1882-1971
|x Criticism and interpretation.
|
600 |
1 |
7 |
|a Schoenberg, Arnold,
|d 1874-1951
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJt8dYy6gPkKRJ3TvW4Xh3
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600 |
1 |
7 |
|a Stravinsky, Igor,
|d 1882-1971
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJy4hD69hhXQ7f8WGkpMfq
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650 |
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|a Music
|y 20th century
|x History and criticism.
|
650 |
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|a Music
|x Philosophy and aesthetics.
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650 |
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|a Musique
|x Philosophie et esthétique.
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|a Music
|2 fast
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650 |
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|a Music
|x Philosophy and aesthetics
|2 fast
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648 |
|
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|a 1900-1999
|2 fast
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655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
700 |
1 |
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|a Mitchell, Anne G.,
|e translator.
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700 |
1 |
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|a Blomster, Wesley V.,
|e translator.
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758 |
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|i has work:
|a Philosophy of modern music (Work)
|1 https://id.oclc.org/worldcat/entity/E39PCG8h8mbJmKT8rpj8cx3GH3
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|c Original
|z 9781474288866
|z 1474288863
|w (DLC) 2016562789
|w (OCoLC)959606444
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830 |
|
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|a Bloomsbury revelations.
|
856 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=6379010
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
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|a YBP Library Services
|b YANK
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