Paul Robeson and the Cold War performance complex : race, madness, activism /

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Bibliographic Details
Call Number:Libro Electrónico
Main Author: Perucci, Tony (Author)
Format: Electronic eBook
Language:Inglés
Published: Ann Arbor : University of Michigan Press, [2012]
Series:Theater--theory/text/performance.
Subjects:
Robeson, Paul, > 1898-1976 > Political activity.
Robeson, Paul, > 1898-1976
United States. > Congress. > House. > Committee on Un-American Activities.
United States. > Congress. > House. > Committee on Un-American Activities
1900-1999
Performance art > Political aspects > United States.
Freedom and art > Political aspects > United States.
Politics and culture > United States.
Cold War > Social aspects > United States.
Racism > United States > History > 20th century.
Anti-communist movements > United States > History > 20th century.
Liberté et art > Aspect politique > États-Unis.
Politique et culture > États-Unis.
Guerre froide > Aspect social > États-Unis.
Racisme > États-Unis > Histoire > 20e siècle.
Anticommunisme > États-Unis > Histoire > 20e siècle.
MUSIC > Instruction & Study > Voice.
MUSIC > Lyrics.
MUSIC > Printed Music > Vocal.
PERFORMING ARTS > Theater > History & Criticism.
Anti-communist movements
Performance art > Political aspects
Political participation
Politics and culture
Race relations
Racism
Social aspects
United States > Race relations.
États-Unis > Relations raciales.
United States
History
Online Access:Texto completo
Table of Contents:
  • Introduction: the red mask of sanity
  • Tonal treason and HUAC's psychoanalytic theater. Black performances and the stagecraft of statecraft
  • Performing, informing, and shrieking innocence: surveillance, informance, and the performance of performance
  • Discordant tones and the melody of freedom at Peekskill
  • Anticommunism and the American lynching imagination
  • Shedding blood and beating back fascists
  • Staging anticommunism, staging racist violence
  • Coda: the complex and the rupture.

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