Josephine Baker's cinematic prism /
"Josephine Baker, the first black woman to star in a major motion picture, was both liberated and delightfully undignified, playfully vacillating between allure and colonialist stereotyping. Nicknamed the "Black Venus," "Black Pearl," and "Creole Goddess," Baker bl...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Bloomington, Indiana :
Indiana University Press,
[2021]
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Prologue. What Might Be Josephine Baker's Film History
- Introduction. Hey! Ha! Shimmy My Bananas! Refracting Baker's Image
- Traveling Shoes : Baker's Migrations and the Conundrums of Sweet Paris
- Shouting at Shadows : The Black American Press, French Colonial Culture, and La sirène des tropiques
- Unintended Exposures : Baker's Prismatic Ethnological Performance in Zouzou
- Seeing Double : Parody and Desire in Le pompier de Folies Bergère and Princesse Tam-Tam
- Epilogue. Long Live Josephine Baker!
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