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The end-of-the-century party : youth, pop and the rise of Madchester /

"Madchester may have been born at the Hacienda in the summer of 1988, but the city had been in creative ferment for almost a decade prior to the rise of acid house. The end-of-the-century party is the definitive account of a generational shift in popular music and youth culture, what it meant a...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Redhead, Steve, 1952- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2019.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Redhead, Steve,  |d 1952-  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PBJfh8BGgPVqg883VcCChHC 
245 1 4 |a The end-of-the-century party :  |b youth, pop and the rise of Madchester /  |c Steve Redhead. 
264 1 |a Manchester :  |b Manchester University Press,  |c 2019. 
264 4 |c Ã1990 
300 |a 1 online resource (lxxxvi, 160 pages) :  |b illustrations (black and white) 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references and index. 
520 8 |a "Madchester may have been born at the Hacienda in the summer of 1988, but the city had been in creative ferment for almost a decade prior to the rise of acid house. The end-of-the-century party is the definitive account of a generational shift in popular music and youth culture, what it meant and what it led to. First published right after the Second Summer of Love, it tells the story of the transition from new pop to the political pop of the mid-1980s and its deviant offspring, post-political pop. Resisting contemporary proclamations about the end of youth culture and the rise of a new, right-leaning conformism, the book draws on interviews with DJs, record company bosses, musicians, producers and fans to outline a clear transition in pop thinking, a move from an obsession with style, packaging and synthetic sounds to content, socially conscious lyrics and a new authenticity. This edition is framed by a prologue by Tara Brabazon, asking how we can reclaim the spirit, energy and authenticity of Madchester for a post-youth, post-pop generation. It is illustrated with iconic photographs by Kevin Cummins." 
588 0 |a Print version record. 
505 0 |a Memories of the future -- prologue by Tara Brabazon; From my generation to regeneration: a 'post'-script; 1 Counter-cultures: the cultural politics of pop; 2 It all comes round again? post-subcultural pop; 3 Soundtracks from the global hypermarket: post-pop politics; 4 One nation under a hoof: whatever happened to the new bohemia?; 5 Don't go back to rockville: post-political pop; The absolute non-end 
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650 0 |a Popular music  |y 1981-1990  |x History and criticism. 
650 0 |a Popular music  |x Social aspects. 
650 0 |a Popular music  |z England  |z Manchester  |x History and criticism. 
650 6 |a Musique populaire  |y 1981-1990  |x Histoire et critique. 
650 6 |a Musique populaire  |x Aspect social. 
650 6 |a Musique populaire  |z Angleterre  |z Manchester  |x Histoire et critique. 
650 7 |a MUSIC  |x Genres & Styles  |x Dance.  |2 bisacsh 
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655 7 |a Criticism, interpretation, etc.  |2 fast 
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776 0 8 |i Print version:  |a Redhead, Steve, 1952-  |t End-of-the-century party.  |d Manchester : Manchester University Press, 2019  |z 1526142759  |w (OCoLC)1083618062 
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