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Architecture filmmaking /

This book investigates the ways in which architectural researchers, teachers of architecture, their students and practicing architects, filmmakers and artists are using filmmaking uniquely in their practice.

Bibliographic Details
Call Number:Libro Electrónico
Other Authors: Troiani, Igea (Editor), Campbell, Hugh (Editor)
Format: Electronic eBook
Language:Inglés
Published: Bristol, UK ; Chicago, USA : Intellect Books Ltd, 2020.
Subjects:
Online Access:Texto completo
Table of Contents:
  • Cover; Half Title; Copyright; Title; Contents; INTRODUCTION : Architecture Filmmaking: Framing the Discourse and Conditions of Production in Architectural Practice and Education; PART ONE: ARCHITECTURE FILMMAKING TECHNIQUE; Architectural Codes in the Works of Dan Graham, Bernard Tschumi and Diller and Scofidio; The Depth Between Frames: Architectural Representation in Two Films by Elizabeth Price and Rut Blees Luxemburg; Mysteries of the Visible: Filmic Operations and Their Value for the Representation of Place
  • Artistic Research in the Moving Image
  • Paris Plays Itself: Widescreen and the City in Tati, Godard and MelvilleTracking Spatial Continuity in the Urban Realm; Inside History: Filmic Space-Time and an Electronics Archaeology; PART TWO: ARCHITECTURE FILMMAKERS; SECTION I: REIMAGINING DOMESTIC SPACE Reimagining Domesticity in 03-FLATS: Single Women and Singapore Public Housing; Filming Architecture and the Architecture of Film: A Reading of the Maison de Verre; Light Matter: The Transdisciplinary Practice of the Architectural Moving Drawing; SECTION II: REIMAGINING THE URBAN REALM; Hammer to Bell: A Poetic Documentary about Limerick
  • Invented Memories: Notes on Filming Industrial Ruins in Eleonas, AthensErrant Bodies: A Critical Essay on the Film More Out of Curiosity; SECTION III: REIMAGINING AUTERSHIP; Fight Club: Whether to Make PoMo Architecture or Blow It Up!; His House, Our House and Her House: A Filmic Place for Women; Stylist as Auteur: Hierarchy, Reputation and Creative Control; PART THREE: ARCHITECTURE FILMMAKING PEDAGOGY; Un-framing Reality: Sets of Intensities as Smallest Common Denominator in Film and Architecture; From Blockbuster to Any Space: A Pedagogy of the Filmic Imaginary
  • Deeper into Projection: Spatiotemporal Design Inquiry through Digital and Computational MethodsResonance and Transcendence of a Bodily Presence: How a Filmic Mapping of Non-Visual, Aural and Bodily Relations in Space Can Strengthen the Sensory Dimension in Landscape Architectural Design; Cinematic Collage as Architectural Design Research; Cinematics in Architectural Practice and Culture: The Cambridge Project; A Postgraduate Student's Pursuit for the Future of Architecture Filmmaking in Cuba's Cinematic Heart: No Hay CINE; AUTHOR BIOGRAPHIES; INDEX