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|a Corrigan, Kevin.
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|a Plato's dialectic at play :
|b argument, structure, and myth in the Symposium /
|c Kevin Corrigan and Elena Glazov-Corrigan.
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|a [United States] :
|b Penn State University Press :
|b Made available through hoopla,
|c 2005.
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|a 1 online resource
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|a text
|b txt
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|a Intro -- Title Page -- Copyright -- Epigraph -- Contents -- Acknowledgments -- Introduction -- 1. Apollodorus's Prologue: An Imitation of an Imitation -- 1.1 The Historical Frame -- 1.2 Apollodorus and Mimetic Narrative -- 1.3 The Force of Hybris -- 1.4 Malakos versus Manikos: Soft or Mad? -- 1.5 Anachronisms? -- 2. Aristodemus's Prologue: The Destruction and Transformation of the Factual Frame of Reference -- 2.1 The Story -- 2.2 Sufficiency and Beauty: Emerging Criteria for Judgment -- 2.3 The Spatial Order?
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|a 2.4 Mimetic versus Hubristic: The Destruction and Transformation of the Factual Narrative -- 2.5 Sophistic Education in the Context of Other Dialogues: Protagoras, Phaedo, Republic -- 2.6 Between Religious Observance and the Cycle of Opposites -- 2.7 "The Father of the Discourse" -- 3. The Order of the Speeches: Formulating the Problem -- 3.1 Eros -- 3.2 Encomium -- 3.3 The Problem of the Significance of the Early Speeches -- 4. From Character to Speech: The Early Speeches and Their Significance -- 4.1 Phaedrus: The Ardent Apprentice, but Confused Mythologue
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|a 4.2 Pausanias: The Sophistic Sociologue -- 4.3 Hiccups and Eryximachus, the Homogenic Doctor-Scientist -- 4.4 Aristophanes: The Poet as Educator -- 4.4.1 Aristophanes' Speech and Socrates' Criticism of Mimetic Art in the Republic 70 -- 4.4.2 The Possibility of Anachronism and Plato's Vanishing Signature -- 4.4.3 Aristophanes' Speech as a Parody of Philosophical Dialectic -- 4.4.4 Aristophanes' Speech and Individual Identity -- 4.4.5 Aristophanes' Hiccups Revisited -- 4.5 Agathon: The Sophistic Theologue as the "Climax" of an Unselfcritical Tradition -- 4.5.1 Advance over the Previous Speakers?
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|a 4.5.2 Agathon as Theologue Without Need -- 4.5.3 The Shadow of the "Good": Agathon's Portrait in the Context of the Republic -- 4.6 Conclusion -- 5. Diotima-Socrates: Mythical Thought in the Making -- 5.1 Introduction: The Problem -- 5.2 The Elenchus of Agathon and the Question of Truth -- 5.3 The Role of Diotima -- 5.4 Eros-Daimôn -- 5.5 Diotima and the Art of Mythmaking Revisited: The Birth of Eros -- 5.6 Love: Relation or Substance? -- 5.7 Rhetoric and Dialectic -- 5.8 Criticism of Aristophanes and Agathon -- 5.9 The Curious Case of Procreation in the Beautiful
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|a 5.10 The Concluding Sections of the Lesser Mysteries -- 5.11 Preliminary Conclusion -- 6. The Greater Mysteries and the Structure of the Symposium So Far -- 6.1 The Movement of Ascent: Structure -- 6.2 The Movement of Ascent and the Earlier Speeches -- 6.3 Immortality and God-Belovedness -- 6.4 Overall Conclusion -- 6.4.1 "Platonic Love": The View So Far -- 7. Alcibiades and the Conclusion of the Symposium: The Test and Trial of Praise -- 7.1 The Figure of Dionysus and the Face of Socrates -- 7.2 The Role of Alcibiades -- 7.3 The Test of Praise -- 7.4 The Trial of Praise
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|i has work:
|a Plato's dialectic at play (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGp9QX9H4FWBh4vGHxy883
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Corrigan, Kevin
|t Plato's Dialectic at Play : Argument, Structure, and Myth in the Symposium
|d University Park : Penn State University Press,c2015
|z 9780271024622
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856 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=6224581
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