Paths of Song : the Lyric Dimension of Greek Tragedy.

Paths of Song: The Lyric Dimension of Greek Tragedy analyzes the multiple and varied evocations of choral lyric in fifth-century Greek tragedy using a variety of methodological approaches that illustrate the myriad forms through which lyric is present and can be presented in tragedy. This collection...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Andújar, Rosa
Autres auteurs: Coward, Thomas R. P., Hadjimichael, Theodora A.
Format: Électronique eBook
Langue:Inglés
Publié: Berlin/Boston : De Gruyter, Inc., 2018.
Collection:Trends in Classics - Supplementary Volumes Ser.
Sujets:
Greek drama (Tragedy) > History and criticism.
Drama > Chorus (Greek drama)
Tragédie grecque > Histoire et critique.
Théâtre (Genre littéraire) > Chœur de théâtre grec.
Greek drama (Tragedy)
Ancient Greek Tragedy.
Chorality.
Greek Lyric Poetry.
Performance.
Criticism, interpretation, etc.
Literary criticism.
Essays.
Critiques littéraires.
Accès en ligne:Texto completo
Table des matières:
  • Intro; Preface; Table of Contents; Abbreviations; Introduction; I Tragic and Lyric Poets in Dialogue; Stesichorus and Greek Tragedy; â#x80;#x98;Stesichoreanâ#x80;#x99; Footsteps in the Parodos of Aeschylusâ#x80;#x99; Agamemnon; Pindar at Colonus: A Sophoclean Response to Olympians 2 and 3; Talking Thalassocracy in Fifth-century Athens: From Bacchylidesâ#x80;#x99; â#x80;#x98;Theseus Odesâ#x80;#x99; (17 & 18) and Cimonian Monuments to Euripidesâ#x80;#x99; Troades; II Refiguring Lyric Genres in Tragedy; Competing Generic Narratives in Aeschylusâ#x80;#x99; Oresteia; How Sophocles Begins: Reshaping Lyric Genres in Tragic Choruses.
  • Constructing Chorality in Prometheus Bound: The Poetic Background of Divine Choruses in TragedyEpinician Discourse in Euripidesâ#x80;#x99; Tragedies: The Case of Alexandros; III Performing the Chorus: Ritual, Song, and Dance; Theoric song and the Rhetoric of Ritual in Aeschylusâ#x80;#x99; Suppliant Women; What melos for Troy? Blending of Lyric Genres in the First Stasimon of Euripidesâ#x80;#x99; Trojan Women; Hyporchematic Footprints in Euripidesâ#x80;#x99; Electra; Dancing in Delphi, Dancing in Thebes: The Lyric Chorus in Euripidesâ#x80;#x99; Phoenician Women; Performing the Wedding Song in Euripidesâ#x80;#x99; Iphigenia in Aulis.
  • New Music in Sophoclesâ#x80;#x99; IchneutaeAfterword: On the Nonexistence of Tragic Odes; Bibliography; Notes on Contributors; Index of Proper Names and Subjects; Index Locorum.

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