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Paths of Song : the Lyric Dimension of Greek Tragedy.

Paths of Song: The Lyric Dimension of Greek Tragedy analyzes the multiple and varied evocations of choral lyric in fifth-century Greek tragedy using a variety of methodological approaches that illustrate the myriad forms through which lyric is present and can be presented in tragedy. This collection...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Andújar, Rosa
Otros Autores: Coward, Thomas R. P., Hadjimichael, Theodora A.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berlin/Boston : De Gruyter, Inc., 2018.
Colección:Trends in Classics - Supplementary Volumes Ser.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Intro; Preface; Table of Contents; Abbreviations; Introduction; I Tragic and Lyric Poets in Dialogue; Stesichorus and Greek Tragedy; â#x80;#x98;Stesichoreanâ#x80;#x99; Footsteps in the Parodos of Aeschylusâ#x80;#x99; Agamemnon; Pindar at Colonus: A Sophoclean Response to Olympians 2 and 3; Talking Thalassocracy in Fifth-century Athens: From Bacchylidesâ#x80;#x99; â#x80;#x98;Theseus Odesâ#x80;#x99; (17 & 18) and Cimonian Monuments to Euripidesâ#x80;#x99; Troades; II Refiguring Lyric Genres in Tragedy; Competing Generic Narratives in Aeschylusâ#x80;#x99; Oresteia; How Sophocles Begins: Reshaping Lyric Genres in Tragic Choruses.
  • Constructing Chorality in Prometheus Bound: The Poetic Background of Divine Choruses in TragedyEpinician Discourse in Euripidesâ#x80;#x99; Tragedies: The Case of Alexandros; III Performing the Chorus: Ritual, Song, and Dance; Theoric song and the Rhetoric of Ritual in Aeschylusâ#x80;#x99; Suppliant Women; What melos for Troy? Blending of Lyric Genres in the First Stasimon of Euripidesâ#x80;#x99; Trojan Women; Hyporchematic Footprints in Euripidesâ#x80;#x99; Electra; Dancing in Delphi, Dancing in Thebes: The Lyric Chorus in Euripidesâ#x80;#x99; Phoenician Women; Performing the Wedding Song in Euripidesâ#x80;#x99; Iphigenia in Aulis.
  • New Music in Sophoclesâ#x80;#x99; IchneutaeAfterword: On the Nonexistence of Tragic Odes; Bibliography; Notes on Contributors; Index of Proper Names and Subjects; Index Locorum.