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Game time : understanding temporality in video games /
Preserving, pausing, slowing, rewinding, replaying, reactivating, reanimating... . Has the ability to manipulate video game timelines altered our cultural conceptions of time' Video game scholar Christopher Hanson argues that the mechanics of time in digital games have presented a new model for...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington, Indiana :
Indiana University Press, Office of Scholarly Publishing, Herman B Wells Library,
[2018]
|
| Colección: | Digital game studies.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Hanson, Christopher |q (Christopher C. P.), |e author. | |
| 245 | 1 | 0 | |a Game time : |b understanding temporality in video games / |c Christopher Hanson. |
| 264 | 1 | |a Bloomington, Indiana : |b Indiana University Press, Office of Scholarly Publishing, Herman B Wells Library, |c [2018] | |
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| 490 | 1 | |a Digital game studies | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a More than live : game "a-liveness" and immediacy -- Game presence and mediatization -- Pausing and resuming -- Saving and restoring -- An instinct towards repetition : "replay value," mastery, and re-creation -- Recursive temporalities -- Case studies. | |
| 588 | |a Description based on print version record and CIP data provided by publisher. | ||
| 520 | |a Preserving, pausing, slowing, rewinding, replaying, reactivating, reanimating... . Has the ability to manipulate video game timelines altered our cultural conceptions of time' Video game scholar Christopher Hanson argues that the mechanics of time in digital games have presented a new model for understanding time in contemporary culture, a concept he calls game time. Multivalent in nature, game time is characterized by apparent malleability, navigability, and possibility while simultaneously being highly restrictive and requiring replay and repetition. Hanson demonstrates that compared to analog tabletop games, sports, film, television, and other forms of media, the temporal structures of digital games provide unique opportunities to engage players with liveness, causality, potentiality, and lived experience that create new ways of experiencing time. Hanson's argument features comparative analysis of key video games titles including Braid, Quantum Break, Battle of the Bulge, Prince of Persia: The Sands of Time, Passage, The Legend of Zelda: The Ocarina of Time, Lifeline, and A Dark Room. | ||
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| 650 | 0 | |a Video games |x Psychological aspects. | |
| 650 | 0 | |a Time perception. | |
| 650 | 2 | |a Time Perception | |
| 650 | 6 | |a Jeux vidéo |x Aspect psychologique. | |
| 650 | 6 | |a Perception du temps. | |
| 650 | 7 | |a GAMES |x Board. |2 bisacsh | |
| 650 | 7 | |a Time perception |2 fast | |
| 650 | 7 | |a Video games |x Psychological aspects |2 fast | |
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| 758 | |i has work: |a Game time (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFwWTqKW6993DXc4Vp6R8C |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Hanson, Christopher (Christopher C. P.), author. |t Game time |d Bloomington, Indiana : Indiana University Press, 2018 |z 9780253032782 |w (DLC) 2017057679 |
| 830 | 0 | |a Digital game studies. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5355427 |z Texto completo |
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