Tabla de Contenidos:
  • Title Page
  • Copyright Page
  • Contents
  • List of Figures
  • Acknowledgements
  • 1 Representing Armed Conflict in the Industrial Age
  • Visual culture and its intersections
  • The history of art and its disciplinary conceits
  • Being German: The will to battle
  • Nietzschean will
  • Truth telling and the ethics of attention
  • Romanticism
  • Myth and identity formation
  • Photomechanical reproduction
  • Part One
  • 2 Adolph Menzel and the Rhetoric of Command
  • Anton von Werner and the command decision
  • The life of Frederick
  • Werner outside Paris
  • Part Two3 Combat and the Politics of Border Landscapes: Soldier-Farmers
  • Alsace-Lorraine
  • Otto Taubertâ#x80;#x99;s landscape prints
  • War graves
  • 4 Combat and the Politics of Landscape: Trench Warfare
  • 5 Combat and the Politics of Landscape: Aerial Photography, Maps and the Cold Gaze
  • Mapping
  • Part Three
  • 6 Technology and Combat in the Franco-Prussian War
  • 7 Technology and Combat in the First World War
  • JÃơngerâ#x80;#x99;s vision of Machine Age society
  • Conclusion
  • Notes
  • References