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Reforming music : music and the religious Reformations of the sixteenth century /

Five hundred years ago a monk nailed his theses to a church gate in Wittenberg. The sound of Luther's mythical hammer, however, was by no means the only aural manifestation of the religious Reformations. This book describes the birth of Lutheran Chorales and Calvinist Psalmody; of how music was...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bertoglio, Chiara, 1983- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berlin ; Boston : Walter de Gruyter, [2017]
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Reforming music :  |b music and the religious Reformations of the sixteenth century /  |c Chiara Bertoglio. 
264 1 |a Berlin ;  |a Boston :  |b Walter de Gruyter,  |c [2017] 
264 4 |c ©2017 
300 |a 1 online resource (xxxv, 836 pages) 
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504 |a Includes bibliographical references (pages 703-793) and indexes. 
505 0 |a Framing a century -- Music, society and culture -- Criticising sacred music -- The reformers' concept of music -- Music in the Evangelical Churches: luther -- Music in the Evangelical Churches: Calvin -- Music in the Church of England -- Music and the Council of Trent -- Music after Trent -- Music and confessionalisation -- Music beyond confessionalisation -- Music and women. 
520 |a Five hundred years ago a monk nailed his theses to a church gate in Wittenberg. The sound of Luther's mythical hammer, however, was by no means the only aural manifestation of the religious Reformations. This book describes the birth of Lutheran Chorales and Calvinist Psalmody; of how music was practised by Catholic nuns, Lutheran schoolchildren, battling Huguenots, missionaries and martyrs, cardinals at Trent and heretics in hiding, at a time when Palestrina, Lasso and Tallis were composing their masterpieces, and forbidden songs were concealed, smuggled and sung in taverns and princely courts alike. Music expressed faith in the Evangelicals' emerging worships and in the Catholics' ancient rites; through it new beliefs were spread and heresy countered; analysed by humanist theorists, it comforted and consoled miners, housewives and persecuted preachers; it was both the symbol of new, conflicting identities and the only surviving trace of a lost unity of faith. The music of the Reformations, thus, was music reformed, music reforming and the reform of music: this book shows what the Reformations sounded like, and how music became one of the protagonists in the religious conflicts of the sixteenth century. 
546 |a In English. 
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504 |a Includes bibliographical references and index. 
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650 0 |a Church music  |y 16th century. 
650 0 |a Reformation. 
650 6 |a Musique d'église  |y 16e siècle. 
650 6 |a Réforme (Christianisme) 
650 7 |a Reformation.  |2 aat 
650 7 |a MUSIC  |x Instruction & Study  |x Theory.  |2 bisacsh 
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650 7 |a Reformation  |2 fast 
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653 |a (BISAC Subject Heading)MUS048010: MUS048010 MUSIC / Religious / Christian 
653 |a (BISAC Subject Heading)HIS037030: HIS037030 HISTORY / Modern / General 
653 |a (BISAC Subject Heading)MUS022000: MUS022000 MUSIC / Instruction & Study / General 
653 |a (BISAC Subject Heading)HIS000000: HIS000000 HISTORY / General 
653 |a (BISAC Subject Heading)REL082000: REL082000 RELIGION / Christianity / Lutheran 
653 |a (BISAC Subject Heading)REL116000: REL116000 RELIGION / Religious Intolerance, Persecution & Conflict 
653 |a Reformations; Early Modern; Polyphony; Sixteenth century 
653 |a (VLB-WN)9542 
653 |a Early Modern 
653 |a Polyphony 
653 |a Reformations 
653 |a Sixteenth century 
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