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EBOOKCENTRAL_ocn958579794 |
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20240329122006.0 |
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160917s1995 onc o 000 0 eng d |
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|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCO
|d OCLCQ
|d MERUC
|d ZCU
|d ICG
|d OCLCO
|d OCLCQ
|d OCLCF
|d TKN
|d DKC
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCL
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|a 9781442682597
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|a 1442682590
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|a (OCoLC)958579794
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|a PN2041.S45
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|a 792
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|a UAMI
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|a De Toro, Fernando.
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|a Theatre Semiotics :
|b Text and Staging in Modern Theatre.
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|a 2nd ed.
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|a Toronto :
|b University of Toronto Press,
|c 1995.
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|a 1 online resource (218 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Toronto Studies in Semiotics and Communication
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|a Print version record.
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|a Theatre Semiotics provides a thorough argument for the place and the necessity of semiotics within the interpretive process of theatre.
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|a Intro -- Contents -- Acknowledgements -- FOREWORD TO THE SPANISH EDITION -- FOREWORD -- PREFACE -- INTRODUCTION -- CHAPTER I: THEATRE DISCOURSE -- I. The Notion of Discourse -- II. Theatre Discourse -- A) Speaker/Hearer -- B) Enunciative Situation/Utterance -- C) Deixis/Anaphora -- III. Functions of Theatre Discourse -- A) Functions of Language in Theatre -- B) Functions of the Actor's Discourse -- IV. Specification of Theatre Discourse -- Notes -- CHAPTER II: TEXT, DRAMATIC TEXT, PERFORMANCE TEXT -- I. Text -- A) The Semiological View -- B) The Classical View -- II. The Dramatic Text -- A) Textual Function -- B) Stage Function -- III. Performance Text -- A) Production Text -- B) Performance Text -- Notes -- CHAPTER III: THEATRE SEMIOTICS -- I. Semiosis -- A) The Notion of Semiotics -- B) The Various Versions of Sign -- II. The Nature of the Theatre Sign -- A) Signs of Signs -- B) The Mobility of the Theatre Sign -- C) Redundancy of the Theatre Sign -- III. The Icon, the Index, the Symbol According to Peirce -- A) The Icon -- B) The Index -- C) The Symbol -- IV. The Icon, the Index, and the Symbol at Work in Theatre -- A) Iconic Function -- B) Indexical Function -- C) Symbolic Function -- V. Theatre Referentiality -- A) Referent/Reference -- B) Theatre Referentiality -- Notes -- CHAPTER IV: THEATRE RECEPTION -- I. Reception Theory -- A) Places of Indetermination -- B) Objectivization -- C) Actualization -- D) Concretization -- E) Horizon of Expectation -- II. Theatre Reception -- A) Mode of Production and Reception -- B) Directorial Concretization -- C) Spectatorial Concretization -- D) Concretization Process -- III. New Perspectives -- A) Object of Study -- B) Levels of Receptive Activity -- C) Methodology -- Notes -- CHAPTER V: TOWARDS AN ACTANTIAL MODEL FOR THEATRE -- I. Background -- II. The Actantial Model -- A) Subject/Object.
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|a B) Sender/Receiver -- C) Helper/Opponent -- D) Actants, Actors, Roles -- E) Sequences -- Notes -- CHAPTER VI: THEATRE HISTORY AND SEMIOTICS -- I. General Background -- II. The Current State of Affairs in Historical Research -- III. Literary History in Latin America: One Example -- A) The Generational Method and Literary Currents -- B) Periodization -- IV. Theoretical Proposal -- A) Formal Level -- B) Contextual Level -- V. Methodology -- Notes -- BIBLIOGRAPHY.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Theater
|x Semiotics.
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650 |
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6 |
|a Sémiotique et théâtre.
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650 |
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7 |
|a Theater
|x Semiotics
|2 fast
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700 |
1 |
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|a Valdes, Mario.
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758 |
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|i has work:
|a Theatre semiotics (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGgyhMhCmmxV4cVhvY36Dq
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
8 |
|i Print version:
|a De Toro, Fernando.
|t Theatre Semiotics : Text and Staging in Modern Theatre.
|d Toronto : University of Toronto Press, ©1995
|z 9780802075895
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830 |
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0 |
|a Toronto studies in semiotics and communication.
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856 |
4 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4672183
|z Texto completo
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938 |
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|a EBL - Ebook Library
|b EBLB
|n EBL4672183
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994 |
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|a 92
|b IZTAP
|