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A Measured Pace : Toward a Philosophical Understanding of the Arts of Dance.
A Measured Pace is a wide-ranging and substantial contribution to a philosophical understanding of dance.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto :
University of Toronto Press,
1995.
|
| Edición: | 2nd ed. |
| Colección: | Toronto studies in philosophy.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro
- Contents
- Preface
- 1 Introduction
- PART ONE: Kinds of Dance
- 2 The Problem of Classification
- 2.1 How Showbiz Did It
- 2.2 How Libraries Do It
- 2.3 Dances as Individuals
- 2.4 Dimensions of Meaning
- 2.5 Quality and Context
- 3 Classification by Context
- 3.1 Self-defined and Other-defined
- 3.2 Forms of Life
- 3.3 Amateur and Professional
- 3.4 Regular and Irregular
- 3.5 Audiences
- 3.6 Dancers
- 3.7 The Context of Art
- 3.8 Motivations and Meanings
- 4 Mimesis
- 4.1 Quality: Intrinsic Classifications
- 4.2 Formal and Mimetic
- 5 Expression
- 5.1 Individual Expression
- 5.2 Social Expression
- 5.3 Being in the World
- 6 Formal Principles of Movement
- 6.1 Basic Movement Types
- 6.2 Recapitulation
- 7 Anatomy
- 7.1 Feet and Hands
- 7.2 Whole and Part
- 8 Units and Systems
- 8.1 Units of Movement
- 8.2 Movement Systems
- 9 Rhythm
- 9.1 The Conceptual Question
- 9.2 The Basics
- 9.3 The Sources of Rhythm
- 9.4 Repetition, Pattern, and Flow
- 9.5 More Conceptual Questions
- 9.6 The Uniqueness of Rhythms in Art
- 10 One and Many
- 10.1 One among Many
- 10.2 Groups
- 10.3 Chorus and Solo
- 10.4 Couples
- 10.5 Conclusion
- 11 Modes of Dance Organization
- 11.1 Narrative
- 11.2 Music
- 11.3 Dance Form
- 11.4 Conclusion
- PART TWO: Dance and Related Fields
- 12 Dance and Music
- 12.1 Symbiosis
- 12.2 The Art of Dance and the Art of Music
- 12.3 The Relation of a Dance to Its Music
- 12.4 Music Structure and Dance Structure
- 13 Dance and Language
- 13.1 Verbal Mediation
- 13.2 Gesture
- 13.3 Dancing and Talking
- 13.4 What Is Language?
- 13.5 The Semiological Extension
- 14 Dance and Theatre
- 14.1 Performing Arts
- 14.2 Dance and Drama
- 14.3 Dance and Scene
- PART THREE: Aspects of Dance
- 15 Dance Values
- 15.1 Singularities
- 15.2 Generalities.
- 15.3 Dance Criticism
- 15.4 Conclusion
- 16 Dancer and Spectator
- 17 Learning to Dance
- 17.1 Learning Dances
- 17.2 Learning Dancing
- 17.3 Learning to Dance for the Public
- 17.4 From the Particular to the General
- 17.5 The Solitary Dancer
- 17.6 Conclusion
- 18 Dance and Choreography
- 18.1 The Basic Hierarchy
- 18.2 Composition and Execution
- 18.3 Choreography and the Dimensions of Dance
- 18.4 What Choreographers Need to Know
- 18.5 The Necessity of Choreography
- 18.6 Margins of Choreography
- 19 The Identity of a Dance
- 19.1 Dance and Dancer
- 19.2 Performance Type and Performance Token
- 19.3 Performance and Performing
- 19.4 The Identity of a Dance
- 20 Recording Dance
- 20.1 Score and Transcription
- 20.2 Notation
- 20.3 Film and Video
- 20.4 Conclusion
- 21 Conclusion
- 22 Afterword: The Three Graces
- Notes
- References
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Y
- Z.