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Exuberant apotheoses- Italian frescoes in the Holy Roman Empire : visual culture and princely power in the Age of Enlightenment /

From the late seventeenth through the mid-eighteenth centuries, large-scale Italian frescoes soared in popularity as nobles in the German principalities of the Holy Roman Empire constructed new palaces at an unprecedented rate. They competed with one another to produce lavish decorative schemes that...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Fulco, Daniel
Format: Électronique eBook
Langue:Inglés
Publié: Boston : Brill, 2016.
Collection:Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history.
Sujets:
Accès en ligne:Texto completo
Table des matières:
  • Acknowledgements; List of Illustrations; Abbreviations; Introduction; Chapter 1 The Aftermath of Military Conflict: A Rise in Princely Visual Culture (1648-1710); Chapter 2 War and International Politics: The Staircase Frescoes of Schloss Bensberg (1710-1714); Chapter 3 Dynasticism and Cultural Philanthropy: The Pictorial Program of Schloss Bensberg's State Rooms (1710-1714); Chapter 4 The Blue Elector's Aeneas: Jacopo Amigoni's Images of War and Triumph at Schloss Schleissheim (1724-1726).
  • Chapter 5 Ducal Power and Munificence: Carlo Innocenzo Carlone's Frescoes in Schloss Ludwigsburg (1731-1733)Chapter 6 Prince-Episcopal Patronage and World Civilization: Giovanni Battista Tiepolo's Apollo and the Four Continents in the Würzburg Residenz (1751-1753); Excursus: Italo-Germanic Artistic Exchange and Collaboration; Epilogue; Bibliography; Index.