|
|
|
|
LEADER |
00000cam a2200000Mu 4500 |
001 |
EBOOKCENTRAL_ocn922959713 |
003 |
OCoLC |
005 |
20240329122006.0 |
006 |
m o d |
007 |
cr |n||||||||| |
008 |
151017s2013 nyu o 000 0 eng d |
040 |
|
|
|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCO
|d OCLCQ
|d MERUC
|d ZCU
|d ICG
|d OCLCO
|d OCLCF
|d OCLCQ
|d OCLCO
|d OCLCQ
|d DKC
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCA
|d OCLCO
|d OCLCL
|
019 |
|
|
|a 1018462264
|
020 |
|
|
|a 9780203055496
|
020 |
|
|
|a 0203055497
|
029 |
1 |
|
|a AU@
|b 000060640507
|
035 |
|
|
|a (OCoLC)922959713
|z (OCoLC)1018462264
|
043 |
|
|
|a e------
|
050 |
|
4 |
|a ML3838.G373 2002eb
|
082 |
0 |
4 |
|a 780/.82/09031
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Borgerding, Todd C.
|
245 |
1 |
0 |
|a Gender, Sexuality, and Early Music.
|
260 |
|
|
|a New York :
|b Taylor and Francis,
|c 2013.
|
300 |
|
|
|a 1 online resource (302 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a Criticism and Analysis of Early Music
|
588 |
0 |
|
|a Print version record.
|
505 |
0 |
|
|a Cover -- GENDER, SEXUALITY, AND EARLY MUSIC -- Title Page -- Copyright Page -- Table of Contents -- Series Editor's Foreword -- Acknowledgments -- Introduction -- 1. Isabella Medici-Orsini: A Portrait of Self-Affirmation -- 2. Simil combattimento fatto da Dame: The Musico-theatrical Entertainments of Margherita Gonzaga's balletto delle donne and the Female Warrior in Ferrarese Cultural History -- 3. Madalena Casulana: my body knows unheard of songs -- 4. Chaste Warriors and Virgin Martyrs in Florentine Musical Spectacle
|
505 |
8 |
|
|a 5. Le nonne della ninfa: Feminine Voices and Modal Rhetoric in the Generations before Monteverdi6. Gossip, Erotica, and the Male Spy in Alessandro Striggio's Il Cicalamento delle donne al bucato (1567) -- 7. Construction of Desire in Early Baroque Instrumental Music -- 8. Music, Sex, and Ethnicity: Signification in Lully's Theatrical Chaconnes -- 9. Sic ego te dilegebam: Music, Homoeroticism, and the Sacred in Early Modern Europe -- 10. Christine de Pizan and 'Dueil Angoisseux' -- Postscript: Dancing with the Ingrate -- Contributors -- Index
|
590 |
|
|
|a ProQuest Ebook Central
|b Ebook Central Academic Complete
|
650 |
|
0 |
|a Sex in music.
|
650 |
|
0 |
|a Gender identity in music.
|
650 |
|
0 |
|a Music
|z Europe
|y 16th century
|x History and criticism.
|
650 |
|
0 |
|a Music
|z Europe
|y 17th century
|x History and criticism.
|
650 |
|
6 |
|a Sexualité dans la musique.
|
650 |
|
6 |
|a Identité de genre dans la musique.
|
650 |
|
6 |
|a Musique
|z Europe
|y 17e siècle
|x Histoire et critique.
|
650 |
|
7 |
|a Gender identity in music
|2 fast
|
650 |
|
7 |
|a Music
|2 fast
|
650 |
|
7 |
|a Sex in music
|2 fast
|
651 |
|
7 |
|a Europe
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq
|
648 |
|
7 |
|a 1500-1699
|2 fast
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
758 |
|
|
|i has work:
|a Gender, sexuality, and early music (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGRRr3YqmHvJ6VGp7VtBj3
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
8 |
|i Print version:
|a Borgerding, Todd C.
|t Gender, Sexuality, and Early Music.
|d New York : Taylor and Francis, ©2013
|z 9780815333944
|
830 |
|
0 |
|a Criticism and analysis of early music.
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3061454
|z Texto completo
|
938 |
|
|
|a EBL - Ebook Library
|b EBLB
|n EBL3061454
|
994 |
|
|
|a 92
|b IZTAP
|