A grammar of cinepoiesis : poetic cameras of Italian cinema /

A unique contribution to the fields of film studies and critical and cinematic theory, A Grammar of Cinepoiesis explores the theoretical and practical modes of a cinema of poetry and examines how it breaks the convention of narrative in cinema. Carlorosi demonstrates how cinema of poetry is able to...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Carlorosi, Silvia, 1975- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lanham, Maryland : Lexington Books, [2015]
Colección:Cine-aesthetics: new directions in film and philosophy
Temas:
Motion pictures > Italy > History.
Motion picture producers and directors > Italy > Interviews.
Motion pictures > Philosophy.
Cinéma > Italie > Histoire.
Producteurs et réalisateurs de cinéma > Italie > Entretiens.
Cinéma > Philosophie.
PERFORMING ARTS > Reference.
Motion picture producers and directors
Motion pictures
Motion pictures > Philosophy
Italy
History
Interviews
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: The Grammar of Cinepoiesis. How does a Poetic Camera Work?
  • Meter and Rhetoric: Leopardi's poetics in Federico Fellini's La voce della luna
  • Im-Signs and Free Indirect Subjective: Pier Paolo Pasolini's Cinema of Poetry: Accattone and Mamma Roma
  • Color and Focus: Michelangelo Antonioni's Il deserto rosso and Blow-Up
  • Sound and Silence: Franco Piavoli's Il pianeta azzurro and Nostos
  • Movement and Form: Matteo Garrone's Primo amore and Gomorra
  • Epilogue: The Visual Power of Images.

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