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Paul Gauguin : the mysterious centre of thought /

French artist Eugène Henri Paul Gauguin (1848-1903) once reproached the Impressionists for searching "around the eye and not at the mysterious centre of thought." But what did he mean by this enigmatic phrase? In this innovative investigation into Gauguin's art and thought, Dario Gam...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gamboni, Dario (Autor)
Otros Autores: Miller, Chris, 1955- (Traductor)
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: London, UK : Reaktion Books, 2014.
Temas:
Acceso en línea:Texto completo

MARC

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240 1 0 |a Paul Gauguin au 'centre mystérieux de la pensée.  |l English 
245 1 0 |a Paul Gauguin :  |b the mysterious centre of thought /  |c Dario Gamboni ; translated by Chris Miller. 
264 1 |a London, UK :  |b Reaktion Books,  |c 2014. 
264 4 |c ©2014 
300 |a 1 online resource (464 pages) :  |b illustrations (some color) 
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500 |a Originally published in French as Paul Gauguin au 'centre mystérieux de la pensée' by Dario Gamboni, 2013. 
504 |a Includes bibliographical references (pages 442-449) and index. 
546 |a Translated from the French. 
588 0 |a Print version record. 
505 0 |a Cover -- Paul Gauguin: The Mysterious Centre of Thought -- Imprint Page -- Contents -- Introduction: Irritations, Echoes and Parables -- One: Seeing Double -- Two: Dreams and Visions -- Three: You Are What You See -- Four: Matter and Material -- Five: From Puppet to Idol -- Six: Natura Naturans -- Epilogue: The Eye of the Sunflower -- References -- List of Illustrations -- Bibliography -- Acknowledgements -- Index. 
520 |a French artist Eugène Henri Paul Gauguin (1848-1903) once reproached the Impressionists for searching "around the eye and not at the mysterious centre of thought." But what did he mean by this enigmatic phrase? In this innovative investigation into Gauguin's art and thought, Dario Gamboni illuminates Gauguin's quest for this "mysterious centre" and offers a fresh look at the artist's output in all media-from ceramics and sculptures to prints, paintings, and his large corpus of writings. Foregrounding Gauguin's conscious use of ambiguity, Gamboni unpacks what the artist called the "language of the listening eye." Gamboni shows that the interaction between perception, cognition, and imagination was at the core of Gauguin's work, and he traces a line of continuity in them that has been previously overlooked. Emulating Gauguin's wide-ranging curiosity with literature, psychology, theology, and the natural sciences-not to mention the whole of art history-this richly illustrated book provides new insight into the life and works of this well-known yet little understood artist. 
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