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|a UAMI
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|a Lushetich, Natasha,
|e author.
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|a Fluxus :
|b the practice of non-duality /
|c Natasha Lushetich.
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|a Amsterdam :
|b Editions Rodopi,
|c 2014.
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|a 1 online resource (xiv, 274 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Consciousness, literature & the arts ;
|v 41
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|a Print version record.
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|a Cover; Title Page; Copyright Page; Table of Contents; Preface and Acknowledgements; Chapter One: Introduction; What is Fluxus; The Two World Theory; A Retrospective Glance; Blind Tactics and De-centered Play; Living Labour and the Production of Social Life; Interexpressive Aesthetics; Structure and Organisation; Chapter Two: Language; Exploding the Playing Field; The Intermedial Genesis of the Event Score; Gameness; Creative-contemplative Interpellation; Pervasiveness; Concluding Thoughts; Chapter Three: Temporality; Temporality and Musicality.
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|a The Transference of Deep Listening to Vertical TimeThe Process of Time and Time as Process; The Production of Lived Time in Fluxfilms; The Continuity of Discontinuity; The Braiding of Lived and Phenomenal Time in DurationalPerformance; Concluding Thoughts; Chapter Four: The Sensorium; Interexpressive Aesthetics; Excavating Elemental Intertwinings and Reversibility; Attunement and the Production of Lived Meaning; Modifying the Phenomenological Vector; Intercorporeity; Concluding Thoughts; Chapter Five: Social Rites and Rituals; Deconstructing Ideal Egalitarianism.
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|a Towards a Ludic-Concretist Game ModelBlurring the Magical Division; Identity as Alterity; Anomalous Communitas; Concluding Thoughts; Chapter Six: Systems of Economic Exchange; The Problem of Value; Entelecheic or Living Value; The Relational Economics of George Maciunas; Intermediality as a Form of Biopolitical Production; Soliciting Excessive Expenditure; Concluding Thoughts; Chapter Seven: Conclusion: The Logic and Legacy of Fluxing; Refracting the Frame; Expanding the Frame; The Frame as a Protean Activity; Fluxing the Pillars of Consciousness; The Legacy of Fluxing in Art, Life and Theory.
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|a BibliographyIndex.
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|a Focusing on the most definition-resistant art movement in history and departing from its two chief characteristics: intermediality and interactivity, this book develops an original theory of practice, the experiential philosophy of non-duality, which is the philosophy of dynamic co-constitutivity. This is done by tracing the performativity of intermedial works - works that fall conceptually between the art and the life media, such as Bengt af Klintbergs's event score: "Eat an orange as if it were an apple"--In five key areas of human experience: language, temporality, the sensorium, social ri
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Art, Modern
|y 20th century.
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|a Fluxus (Group of artists)
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|a Postmodernism.
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|a Art
|y 20e siècle.
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|a Fluxus (Groupe d'artistes)
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|a Postmodernisme.
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|a Fluxus.
|2 aat
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|a ART
|x History
|x General.
|2 bisacsh
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|a Art, Modern
|2 fast
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|a Fluxus (Group of artists)
|2 fast
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|a Postmodernism
|2 fast
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|a 1900-1999
|2 fast
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|i has work:
|a Fluxus (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGxKPcm78MPmXB8TbWcJcK
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Lushetich, Natasha.
|t Fluxus.
|d Amsterdam : Rodopi, 2014
|z 9042038519
|w (OCoLC)881441050
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830 |
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|a Consciousness, literature & the arts ;
|v 41.
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856 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1696763
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