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Singing and the Actor.
Classical singing training is no longer relevant for the theatre performer today. So how does an actor train his singing voice?. Now in its second edition, this practical handbook takes the reader through a step-by-step training programme relevant to the modern singing actor and dancer . A variety o...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Bloomsbury Publishing,
2014.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn881607271 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 140623s2014 enk o 000 0 eng d | ||
| 040 | |a EBLCP |b eng |e pn |c EBLCP |d OCLCQ |d UKUAL |d OCLCO |d OCLCF |d OCLCO |d OCLCQ |d OCLCO | ||
| 020 | |a 9781408149683 | ||
| 020 | |a 1408149680 | ||
| 029 | 1 | |a AU@ |b 000055988318 | |
| 029 | 1 | |a AU@ |b 000062551582 | |
| 029 | 1 | |a GBVCP |b 788743325 | |
| 035 | |a (OCoLC)881607271 | ||
| 050 | 4 | |a MT820 .K36 2014 | |
| 082 | 0 | 4 | |a 782.41421538 |a 783 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Kayes, Gillyanne. | |
| 245 | 1 | 0 | |a Singing and the Actor. |
| 260 | |a London : |b Bloomsbury Publishing, |c 2014. | ||
| 300 | |a 1 online resource (209 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Contents; Acknowledgements; Foreword; Section 1: HOW THE VOICE WORKS; 1 How do I make the notes?; 2 My voice won't come out at auditions; 3 But I thought I wasn't supposed to feel anything!; 4 What exactly is support?; Section 2: TRAINING YOUR VOICE; 5 Developing the three octave siren; 6 The nasal port; 7 Dynamic control and projection; 8 Tuning the oral resonator; 9 Twang, the singer's formant; Section 3: WORKING THE TEXT; 10 Putting it together; 11 Singing the text; 12 Creating voice qualities; 13 The act of singing; Afterword; Glossary; A; B; C; F; G; H; I; L; M; N; O; P; R; S; V. | |
| 505 | 8 | |a List of exercises and song assignmentsIndex; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Index of song titles. | |
| 520 | |a Classical singing training is no longer relevant for the theatre performer today. So how does an actor train his singing voice?. Now in its second edition, this practical handbook takes the reader through a step-by-step training programme relevant to the modern singing actor and dancer . A variety of contemporary voice qualities including belting and twang are explained, with exercises for each topic. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Singing |x Instruction and study. | |
| 650 | 6 | |a Chant |x Étude et enseignement. | |
| 650 | 7 | |a Singing |x Instruction and study |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Kayes, Gillyanne. |t Singing and the Actor. |d London : Bloomsbury Publishing, ©2014 |z 9780713668230 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1715656 |z Texto completo |
| 936 | |a BATCHLOAD | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL1715656 | ||
| 994 | |a 92 |b IZTAP | ||