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Supercinema : film-philosophy for the digital age /
Drawing on a variety of popular films, including Avatar, Enter the Void, Fight Club, The Matrix, Speed Racer, X-Men and War of the Worlds, Supercinema studies the ways in which digital special effects and editing techniques require a new theoretical framework in order to be properly understood. Here...
| Cote: | Libro Electrónico |
|---|---|
| Auteur principal: | |
| Format: | Électronique eBook |
| Langue: | Inglés |
| Publié: |
New York :
Berghahn Books,
2013.
|
| Édition: | First edition. |
| Collection: | Berghahn on film.
|
| Sujets: | |
| Accès en ligne: | Texto completo |
MARC
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| 008 | 130810s2013 nyu ob 001 0 eng d | ||
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| 100 | 1 | |a Brown, William, |d 1977- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjxMBqkdbKqgJhPyPkv9rC | |
| 245 | 1 | 0 | |a Supercinema : |b film-philosophy for the digital age / |c William Brown. |
| 250 | |a First edition. | ||
| 264 | 1 | |a New York : |b Berghahn Books, |c 2013. | |
| 300 | |a 1 online resource (186 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Berghahnonfilm | |
| 504 | |a Includes bibliographical references (pages 157-177) and index. | ||
| 505 | 0 | |a Introduction -- Chapter 1: Digital cinema's conquest of space -- Chapter 2: The nonanthropocentric character of digital cinema -- Chapter 3: From temporalities to time in digital cinema -- Chapter 4: The film-spectator-world assemblage -- Chapter 5: Concluding with love. | |
| 520 | |a Drawing on a variety of popular films, including Avatar, Enter the Void, Fight Club, The Matrix, Speed Racer, X-Men and War of the Worlds, Supercinema studies the ways in which digital special effects and editing techniques require a new theoretical framework in order to be properly understood. Here William Brown proposes that while analogue cinema often tried to hide the technological limitations of its creation through ingenious methods, digital cinema hides its technological omnipotence through the continued use of the conventions of analogue cinema. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
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| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Motion pictures. | |
| 650 | 0 | |a Digital cinematography. | |
| 650 | 6 | |a Cinéma numérique. | |
| 650 | 6 | |a Cinéma. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Techniques |x Cinematography & Videography. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Digital cinematography |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 655 | 7 | |a Motion pictures |2 fast | |
| 655 | 7 | |a Motion pictures. |2 lcgft | |
| 655 | 7 | |a Films. |2 rvmgf | |
| 776 | 0 | 8 | |i Print version: |a Brown, William, 1977- |t Supercinema. |b First edition. |d New York : Berghahn, 2013 |z 9780857459497 |w (DLC) 2013006283 |w (OCoLC)836261196 |
| 830 | 0 | |a Berghahn on film. | |
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